This investigation of ritualized lithics draws on iconography, epigraphy, and lithic studies to understand the technological and social factors involved in the creation of these objects and includes the so-called eccentric flints and obsidians of the Maya area and Central Mexico, massive debitage deposits in tomb contexts, and the use of utilitarian objects in ceremonial contexts. In the cases of the largest and most elaborate artifacts (e.g., the effigy flints of Copan and Honduras and the giant obsidian serpent of Teotihuacan), authors examine what the basic production processes may have been, while cases of blade and debitage deposits focus on how the objects were produced within their social context, in what sequence, and why they may have been chosen for ritual deposition.

Ceremonial Lithics in Classic Mesoamerica is the first book to address how and why these objects were made from a pan-Mesoamerican perspective. While obsidian and flint carried their own respective symbolic meanings, the final form of an artifact and the process of its production also contributed to its identification. Hence, this volume is an essential step toward understanding the ancient meanings imbued in these material objects.