Helen Moran is thirty-two years old, single, childless, college-educated, and partially employed as a guardian of troubled young people in New York. She's accepting a delivery from IKEA in her shared studio apartment when her uncle calls to break the news: Helen's adoptive brother is dead.
According to the internet, there are six possible reasons why her brother might have killed himself. But Helen knows better: she knows that six reasons is only shorthand for the abyss. Helen also knows that she alone is qualified to launch a serious investigation into his death, so she purchases a one-way ticket to Milwaukee. There, as she searches her childhood home and attempts to uncover why someone would choose to die, she will face her estranged family, her brother's few friends, and the overzealous grief counselor, Chad Lambo; she may also discover what it truly means to be alive. A bleakly comic tour de force that's by turns poignant, uproariously funny, and viscerally unsettling, this debut novel has shades of Bernhard, Beckett and Bowles?and it announces the singular voice of Patrick Cottrell. Winner of the 2017 Barnes and Nobel Discover Great New Writers Award in Fiction
Winner of a 2018 Whiting Award in Fiction
Winner of Independent Publisher Book Award's Gold Medal for First Fiction
A Spring 2017 B&N Discover Great New Writers Fiction Winner
One of Buzzfeed, Vulture, Nylon, and LitHub's most anticipated books of 2017
"Cottrell's novel--a truly remarkable debut...is also one of the most darkly funny books you'll ever read."
--NYLON
-- Lithub, 30 Indie Press Books We're Looking Forward To
"Helen's foggy view of reality is a dark, dark comedic well, and debut novelist Cottrell tells his story with gutsy style, glowing sentences, and true feeling."The 2017 B&N Discover Great New Writers Fiction Winner, Winner of Independent Publisher Book Award's Gold Medal for First Fiction, and Winner of a 2018 Whiting Award in Fiction
"In Cottrell's stellar debut novel, 32-year-old Helen is in her Manhattan apartment when she receives a call that her adoptive brother has killed himself... The real attraction here is Helen: her perspective ranges from sharp (New York is 'a city so rich it funds poetry') to askew ('People who call themselves photographers are fake... the real charlatans of our time. Behind a photo is a perfectly fake person, scrubbed of all flaws, dead inside') to unhinged (her adoptive parents' grieving takes the physical form of a middle-aged European man who walks around the house and helps himself to pizza). Cottrell gives Helen the impossible task of understanding what would drive another person to suicide, and the result is complex and mysterious, yet, in the end, deeply human and empathetic." --Publishers Weekly (starred) "Patrick Cottrell's prose does so many of my favorite things--some too subtle to talk about without spoiling, but one thing I have to mention is the way in which his heroine's investigation of a suicide draws the reader right into the heart of this wonderfully spiky hedgehog of a book and then elbows us yet further along into what is ultimately a tremendously moving act of imagination." --Helen Oyeyemi, author of What Is Not Yours Is Not Yours "In this completely absorbing novel of devastation and estrangement, Patrick Cottrell introduces himself as a modern Robert Walser. His voice is unflinching, unforgettable, and animated with a restless sense of humor." --Catherine Lacey, author of Nobody Is Ever Missing "Intelligent and mysterious and funny, Patrick Cottrell's Sorry to Disrupt the Peace moves so mesmerizingly towards its blazingly good ending. One is tempted to read it as quickly as possible. But really, it is a book that should be read slowly, as some of its deepest pleasures lie in the careful observations, the witty prose, and just the book's really wonderful gaze on city life, and actually, on all life. This is a stunning debut." --Rebecca Lee, author of Bobcat "Patrick Cottrell's adoption of the rambling and specific absurd will and must delight. This is a graceful claim not just about writing but about a way of being in the world, an always new and necessary way to contend with this garbage that surrounds us, these false portraits of our hearts and minds. This book is not a diversion--it's a lifeline." --Jesse Ball, author of How to Set a Fire and Why