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Book Cover for: The La de Das' the Happy Prince, John Tebbutt

The La de Das' the Happy Prince

John Tebbutt

This is the untold history of a lost of relic of Oceania's psychedelic 1960s, The Happy Prince.

Recorded in Sydney by the La De Das, an Aotearoa/New Zealand band, this was the first LP in Australia that told a single story, creating an audio world. The La De Das were - and are - one of New Zealand's most loved bands. By 1967 they had numerous hit singles and two albums of diverse music. What drove them to experiment with an art pop form?

This book answers that question by digging into archives, dusting off historical memories of those who were there. Released in 1969, this album is a collection of original songs based on an Oscar Wilde story, published in 1888. The tracks include narration by Australia's pop poet Adrian Rawlins. It was a technical and artistic statement, the likes of which Australian music had not previously heard. At EMI's studios in Sydney, the production experimented with 8-track recording, using electronically synchronized four track machines. EMI provided an in-house producer but the album was independently funded. At the time, it was hailed in music journal Go Set as "the best thing ever recorded in Australia". Yet the album disappeared, rarely promoted and never charting. That line up of the band did not record another album. This book finally tells their story.

Book Details

  • Publisher: Bloomsbury Academic
  • Publish Date: Nov 13rd, 2025
  • Pages: 128
  • Language: English
  • Edition: undefined - undefined
  • Dimensions: 7.75in - 5.00in - 1.00in - 1.00lb
  • EAN: 9798765114032
  • Categories: History & Criticism - GeneralIndividual Composer & MusicianGenres & Styles - Rock

About the Author

Tebbutt, John: - John Tebbutt is Adjunct Associate Professor in the School of Media and Communication, RMIT University, Australia.
Stratton, Jon: - Jon Stratton is Adjunct Professor in UniSA Creative at the University of South Australia and a member of the university's Creative People, Products and Places Research Centre. Jon has worked at universities in the UK and Australia and held a Rockefeller Fellowship at the University of Iowa in 1998. His areas of interest include Popular Music, Cultural Studies, Australian Studies, Jewish Cultural Studies and Media Studies. He is the sole author of 12 books and has co-edited four. In 2002 he published Australian Rock: Essays on Popular Music. His most recent books include Black Popular Music in Britain since 1945 (edited with Nabeel Zuberi, 2014), When Music Migrates: Crossing British and European Racial Faultlines 1945-2010 (2014) and An Anthology of Australian Albums: Critical Engagements (edited with Jon Dale and Tony Mitchell, 2020).
Dale, Jon: - Jon Dale is a writer and researcher based in Melbourne, Australia. He teaches across a number of fields (popular music, experimental writing, media studies, criminology, sociology, screen studies) at a number of institutions. He also writes for the English music magazine Uncut, and contributes liner notes and essays to a number of record labels and other publications. He is currently working on several books about DIY and post-punk music, and texts on experimental film and diary film making. He also runs the record labels Tristes Tropiques and Rose Hobart.