WSJ. Magazine

Stacey Abrams has a lot going on—it’s what the 47-year-old calls her game of “work-life Jenga.” We talked to Abrams about her forthcoming novel, "While Justice Sleeps" and how she makes time for her writing. https://on.wsj.com/3tljVwy

WSJ. Magazine

In her debut English novel, "The Quiet Tenant," Clémence Michallon examines a murderer’s double life through the eyes of his daughter, girlfriend, victims and longtime prisoner (who’s plotting her escape). The genre-bending thriller is out today. https://t.co/MvFn64hfeI

WSJ. Magazine

In her new book, Joyce Carol Oates considers ravaged female bodies and the possible extinction of language and humanity. https://t.co/JjQ3u5n6FS

WSJ. Magazine

Nathaniel Hawthorne’s corrected page proofs for 1850’s "The Scarlet Letter" is expected to sell for at least $600,000. https://t.co/3lF5obzPox

WSJ. Magazine

Cecily von Ziegesar, the creator of the popular "Gossip Girl" book series and self-proclaimed insomniac, can’t stop pondering what readers may think about the ensemble of boldly self-absorbed characters in her new novel, "Cobble Hill." https://t.co/sotO9Z4HVR

WSJ. Magazine

Colson Whitehead, our 2021 Literature Innovator, has unveiled another dimension of his protean talent with "Harlem Shuffle," a novel set in ’50s and ’60s New York that combines the slang-filled cadences of crime fiction with sharp social commentary. https://t.co/P06dYSvz04

WSJ. Magazine

‘Persuasion’ is one of the hardest Jane Austen books to adapt. https://t.co/CNTf05sPQ2

WSJ. Magazine

“It’s the only book I’ve written that I don’t regret,” Ocean Vuong says of "Time Is a Mother," his new poetry collection. “I’ve had regrets for every page of all the other books, but this one, I feel really complete with it,” he says.⁠ https://on.wsj.com/3uQac3n ⁠

WSJ. Magazine

In her debut English novel, "The Quiet Tenant," Clémence Michallon examines a murderer’s double life through the eyes of his daughter, girlfriend, victims and longtime prisoner (who’s plotting her escape). The genre-bending thriller is out today. https://t.co/wc4jLHHs4o

WSJ. Magazine

"Lapvona" is Ottessa Moshfegh’s first venture into a third-person omniscient point of view, a choice she says gave her more freedom and allowed her to trust her narrator (“I know they’re not always telling the truth”). https://t.co/R7IEwdeb8P