
Along with his songs and prose, author and singer-songwriter Nathan Brown has written at least one poem every day for over 20 years now. And from that practice comes this new collection in which each poem deals chronologically with every year of our lives, from the ages of 0 to 100. In one, he tells the story of an 8-year-old girl attempting to cross the border into the U.S. with her older brother. Further in, he works through the mental gyrations of a 39-year-old man and a woman who is 61 falling in love at a reading in a bookstore. As a whole, these poems offer a stark sensitivity to all the stages, transitions, and graduations of life, while also marking a willingness to put an honest, sometimes even cold and hard, magnifying glass up to the struggles of the soul--the Venus and the Mars in us all.
If, instead of Spoon River, the setting of the great Edgar Lee Masters sequence was a little graveyard just south of Okmulgee, Oklahoma, or Luckenbach, Texas, the poor souls interred there would be singing these haunted poems to each other in a southwestern twang under a full prairie moon.
George Bilgere, winner of the May Swenson Poetry Awardand Pushcart Prize
When the Psalmist sang, "Teach us to number our days," he must have heard the same melody of humanness that runs underneath Nathan Brown's poetry.
Milton Brasher-Cunningham, editor at Church Publishing Inc., New York, author of The Color Of Together: Metaphors of Connectedness
With the wit and compassion of a modern day Chaucer, Nathan Brown presents us with a group of contemporary American pilgrims on a journey to the Canterbury that is nowhere and everywhere because it is the holy center of their own unique lives. These engaging and moving poems take us out of ourselves and into the perspectives of our friends, our neighbors, and the strangers we pass along the way. There are few more important tasks for poetry today.
Ben Myers, 2015-2016 Oklahoma Poet Laureate
and author of Black Sunday