Every collection of poems by Berssenbrugge is a literary step forward...With her powerful command of words redoubled by a meditative patience, she captures a secret rhythm, into which she weaves lines that surprise us with their accuracy, their submission to experience.--Etel Adnan
This book finds Berssenbrugge lovingly absorbed in the field of astronomy in all its possible aspects--abstractly, linguistically, but especially in terms of the possibilities that it offers.-- "Poetry Magazine"
Mei-mei Berssenbrugge's poetry explores the permeable boundaries between the human and the natural worlds, as she makes palpable her communion with birds, plants, dolphins, stars, and the beyond. Emerging from the ferment of the Basement Workshop, a collective of Asian-American poets, artists, and activists in the 1970s, Berssenbrugge went on to create a visionary ecopoetics that directly confronts our planetary--and human--crisis. With her preternaturally long lines, Berssenbrugge composes a syntax of unfolding vistas, stretching our senses of both the plausible and the possible, bringing new modes of affinity and new paths for freedom into view. Berssenbrugge's entanglements of consciousness and perception have created a lyric that moves away from self-centeredness toward the cosmos. A Treatise on Stars is a far-out star flight--profoundly meditative, extravagant, disarming, open. 'Any soul may distribute itself into a human, a toy poodle, bacteria, an etheric, or quartz crystal.' As readers we are, again and again, enthralled by her radical wagers on poems enacting transformation. 'Writing, ' the poet tells us, 'can shift the mechanism of time by changing the record, then changing the event.'--Bollingen Prize judges citation
Berssenbrugge's lines--saturated with the hallucinatory speed of thought--have the urgency of a manifesto; she consistently calls attention to the interrelatedness of all things. Few living poets are as able to enter headlong into the spiritual state of our environment and its endangerment: one of the best minds in modern poetry.--Major Jackson "The New York Times"