An irrepressible fraudster known only as the Maniac is brought into Police Headquarters just as the officers are preparing for a judicial review of the recent 'accidental' death of a suspect in custody.
Outwitting his captors, the Maniac dupes them into performing a farcical recreation of the incident, exposing the absurd corruption and terrifying idiocy at the heart of the system.
Dario Fo and Franca Rame's riotous satire has been widely performed around the world since its premiere in 1970. Tom Basden's acclaimed adaptation was first performed at Sheffield Theatres in 2022, directed by Daniel Raggett, and starring Daniel Rigby as the Maniac.
The production transferred to the Lyric Hammersmith Theatre in 2023, before moving to the Theatre Royal Haymarket in London's West End.
Tom Basden's plays include: an adaptation of Dario Fo and Franca Rame's Accidental Death of an Anarchist (Sheffield Theatres, 2022; Lyric Hammersmith and West End, 2023); The Crocodile, an adaptation of a short story by Dostoyevksy (Manchester International Festival, 2015); Holes (Edinburgh Festival Fringe, 2013; Arcola Theatre, London, 2014); There is a War (as part of the Double Feature season in the Paintframe at the National Theatre); Joseph K, an adaptation of Kafka's The Trial (Gate Theatre, London) and Party (Fringe First Winner; Edinburgh Festival Fringe/Sydney International Festival/Arts Theatre, London).
He has written for some of Britain's best TV comedies, including Peep Show, Fresh Meat, The Wrong Mans and Plebs, which won Best New Comedy at the British Comedy Awards 2013 and Best Scripted Comedy at the RTS Awards 2014. He is also a member of sketch group Cowards, who wrote and performed their own TV series on BBC4.
For Radio 4 he has made two series of Cowards and three series of his sitcom Party, based on his 2009 play.
He has been nominated for a BAFTA three times, and has won a Fringe First and an Edinburgh Comedy Award.
"An Italian classic reborn as an unmissable police satire,"--Metro
"A glorious comedy that leaps off the stage."--The Times
"A riotous satirical farce brought bang up to date... Tom Basden's full-blooded adaptation [is] a furious but funny broadside against police malpractice... supremely, dazzlingly funny."--Guardian
"A glorious romp from the super-talented Tom Basden."--Observer
"Wickedly funny... nothing less than brilliant... the audience is constantly in stitches... much cheaper than a therapy session and vastly more entertaining."--Time Out
"Fabulous... an unforgettable theatrical experience. Brilliantly adapted by Tom Basden, it is a biting, bang-up-to-the-minute satire... Each minute is packed with jokes, word play and punchy references... The laughs aren't just one-a-minute - there seems to be one every second. A fantastic show."--Reviews Hub
"Brilliant... a whirlwind high-speed farce... Tom Basden's bang up-to-date English version would undoubtedly have met with Signor Fo's whole-hearted approval... wildly inventive... glorious chaos."--WhatsOnStage
"Pretty special... Basden's script is packed with contemporary references, but among the comic zingers are weightier concerns about undercover police work and corruption.... It's brilliantly executed... unforgettable."--The Stage
"Simply brilliant... The comic lines come thick and fast, but the underlying political punch is serious and to the point... A tour de force, a great night out... A must-see."--British Theatre Guide
"Both deeply political and utterly hilarious... a biting indictment of British law enforcement... a comic work for the ages with a script packed with zingers... a masterclass in how to combine social issues and comedy."--Broadway World
"A sure-fire, fearlessly political, no holds-barred, angry hit of a show."--Everything Theatre
"Gloriously unruly... one of the most daring and original shows to arrive in the West End in recent memory."--Independent
"Uproarious... a bomb-blast comedy... an institutionally funny play."--Evening Standard