In poems of graceful lyricism and penetrating observation, award-winning poet Linda Pastan sheds new light on the complexities of ordinary life and the rising tide of mortality. Drawing from Pastan's five most recent volumes and including over thirty new poems, Almost an Elegy reflects on beauty, old age, and the probability of loss.
With signature precision and quiet power, selections from The Last Uncle (2002) and Queen of a Rainy Country (2006) explore childhood, love, landscape, and the many pleasures of the imagination. Poems from Insomnia (2015) and Traveling Light (2011) chime with similar themes of aging, memory, and language. The new poems offer a profound portrait of a poet contemplating her life and the endurance of art, amidst the fleeting beauty of nature and the everyday losses that accompany old age. In "The Collected Poems," Pastan writes, "For years I wrestled / with syllables, with silence." Now, after a long and celebrated career, the poet rests "in a hammock of words, waiting / for the sun to rise again / over the horizon of the page."
Whether in a lush evocation of an impressionist painting or a wry and wistful ode to a car key, Pastan finds lucid meaning in the passage of time.
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Norton has been honored to publish Linda Pastan's poetry collections for many years, going back to 1981 and up to her most recent and now final collection ALMOST AN ELEGY published last year. https://t.co/3yZRFdfIdQ https://t.co/53HcEeRk1n
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“One senses Pastan’s own autumn in this book, the poems like leaves maturing into color, and into a late and mellowed beauty.” Robert Archambeau on the late Linda Pastan’s Almost an Elegy https://t.co/syTyeHehlC
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Last book of poetry for April: Linda Pastan's The Five Stages of Grief. https://t.co/rVWFhB2xTj She is a new-to-me poet and I can't stop reading her work. Read three collections in April. Highly recommend her last, Almost an Elegy.