"What's as American as the invention of race? Self-invention. So we are reminded by Adichie's engaging third novel . . . Adichie is uniquely positioned to compare racial hierarchies in the United States to social striving in her native Nigeria. She does so in this new work with a ruthless honesty about the ugly and beautiful sides of both nations. "Americanah" is social satire masquerading as romantic comedy. . . . Beyond race, the book is about the immigrant's quest: self-invention, which is "the" American subject. "Americanah" is unique among the booming canon of immigrant literature of the last generation (including writers Junot Diaz, Jhumpa Lahiri, Gary Shteyngart, Chang-rae Lee, Dinaw Mengestu and Susan Choi). Its ultimate concern isn't the challenge of becoming American or the hyphenation that requires, but the challenge of going back home. . . . Affecting." --Emily Raboteau, "The Washington Post"
"Adichie's brave, sprawling novel tackles the U.S. race complex with a directness and brio no U.S. writer of any color would risk. . . . There's no question on this or any novel's resolving [our] race sickness. If it's so hard to say or do the right thing, what is to be done? [But] "Americanah" brings a cleansing frankness to a scab on the face of the Republic." --John Timpane, Philadelphia" Inquirer"
"Big, moving, deeply provocative . . . A tiny pinprick in the giant balloon of hot air that has swollen around the subject of race in post-civil-rights-era America. Adichie's finely observed new book, which combines perfectly calibrated social satire and heartfelt emotion, stands with "Invisible Man "and "The Bluest Eye "as a defining work about the experience of being black in America. More than race, "Americanah "is about all the ways people form their identities: what we put on and what we take off, the things we accumulate and those we discard along the way. . . . Adichie is as precise on the details of contemporary American life as Updike or Fran
"Dazzling. . . . Funny and defiant, and simultaneously so wise. . . . Brilliant."
--"San Francisco Chronicle
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"A very funny, very warm and moving intergenerational epic that confirms Adichie's virtuosity, boundless empathy and searing social acuity."
--Dave Eggers, author of "A Hologram for the King
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"Masterful. . . . An expansive, epic love story. . . . Pulls no punches with regard to race, class and the high-risk, heart-tearing struggle for belonging in a fractured world."
--"O, The Oprah Magazine
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"[A] knockout of a novel about immigration, American dreams, the power of first love, and the shifting meanings of skin color. . . . A marvel."
--"NPR
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"A cerebral and utterly transfixing epic. . . . "Americanah" is superlative at making clear just how isolating it can be to live far away from home. . . . Unforgettable."
--"The Boston Globe"
"Witheringly trenchant and hugely empathetic . . . a novel that holds the discomfiting realities of our times fearlessly before us. . . . A steady-handed dissection of the universal human experience. "
--"The New York Times Book Review
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"Adichie is uniquely positioned to compare racial hierarchies in the United States to social striving in her native Nigeria. She does so in this new work with a ruthless honesty about the ugly and beautiful sides of both nations."
--"The Washington Post
"
"Gorgeous. . . . A bright, bold book with unforgettable swagger that proves it sometimes takes a newcomer to show Americans to ourselves."
--"The Dallas Morning News"
"Part love story, part social critique, and one of the best [novels] you'll read this year. . . . Characters are richly drawn. . . . Adichie digs in deeply, finding a way to make them fresh."
--"Los Angeles Times"
"Brave . . . "Americanah" tackles the U.S. race complex with a directness and brio no U.S. writer of any color would risk. . . . [The novel] brings a cleansing frankness to an old, picked scab on the face of the Republic. It's not healing, and it's not going away."
--"The Philadelphia Inquirer
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"So smart about so many subjects that to call it a novel about being black in the 21st century doesn't even begin to convey its luxurious heft and scope. . . . Capacious, absorbing and original."
--Jennifer Reese, NPR
"One of the freshest pieces of fiction of the year. . . . Adichie's style of writing is familiar and personal. . . . An engrossing, all-encompassing read."
--"New York Observer
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"Superb . . . "Americanah" is that rare thing in contemporary literary fiction: a lush, big-hearted love story that also happens to be a piercingly funny social critique."
--"Vogue
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"A near-flawless novel, one whose language so beautifully captures the surreal experience of an African becoming an American that one walks away with the sense of having read something definitive."
--"The Seattle Times
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"An important book . . . its strength and originality lie with the meticulous observation about race--about how embarrassed many Americans are about racial stereotypes, even as they continue to repeat them, about how casual racism still abounds."
--"The Economist
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"Moving."
--"The""Huffington Post"
"["Americanah"] presents a warm, digressive and wholly achieved sense of how African lives are lived in Nigeria, in America and in the places between."
--"The""Financial Times
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"Glorious. . . . "Americanah" provide[s] Adichie with a fictional vehicle for all kinds of pithy, sharply sensible commentary on race and culture--and us with a symphonic, polyphonic, full-immersion opportunity to think outside the American box."
--"Elle
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"Winning . . . [Adichie] is a writer of copious gifts . . . breath[ing] life into characters whose fates absorb us. . . . She""shows us ourselves through new eyes."
--"Newsday"
"Adichie defines the sum of disparate cultures with new clarity, while questions of identity and love remain elusive as ever."
--"Interview "magazine