Reader Score
81%
81% of readers
recommend this book
Critic Reviews
Great
Based on 7 reviews on
New York Times bestselling author Xochitl Gonzalez delivers a mesmerizing novel about a first-generation Ivy League student who uncovers the genius work of a female artist decades after her suspicious death
Who gets to leave a legacy? 1985. Anita de Monte, a rising star in the art world, is found dead in New York City; her tragic death is the talk of the town. Until it isn't. By 1998 Anita's name has been all but forgotten--certainly by the time Raquel, a third-year art history student is preparing her final thesis. On College Hill, surrounded by progeny of film producers, C-Suite executives, and international art-dealers, most of whom float through life knowing that their futures are secured, Raquel feels herself an outsider. Students of color, like Raquel, are the minority there, and the pressure to work twice as hard for the same opportunities is no secret. But when Raquel becomes romantically involved with a well-connected older art student, she finds herself unexpectedly rising up the social ranks. As she attempts to straddle both worlds, she stumbles upon Anita's story, raising questions about the dynamics of her own relationship, which eerily mirrors that of the forgotten artist. Moving back and forth through time and told from the perspectives of both women, Anita de Monte Laughs Last, is a propulsive, witty examination of power, love, and art, daring to ask who gets to be remembered and who is left behind in the rarefied world of the elite."The novel is the best, most elusive combination: a thought-provoking and a brilliantly entertaining triumph." --NPR
"Anita de Monte Laughs Last is a cry for justice. Writing with urgency and rage, Gonzalez speaks up for those who have been othered and deemed unworthy, robbed of their legacy." --The Washington Post "Admirers of Xochitl Gonzalez's debut, Olga Dies Dreaming, will be pleased to encounter in Gonzalez's follow-up novel, Anita de Monte Laughs Last, not one but two protagonists who echo the titular Olga's best qualities. Like Olga, they are Latina women of vision and will, who emphatically refuse to be put in a corner." --New York Times Book Review