Reader Score
78%
78% of readers
recommend this book
Critic Reviews
Great
Based on 10 reviews on
By the end of that day the lives of all three will have been changed forever. Robbie and Cecilia will have crossed a boundary they had never before dared to approach and will have become victims of the younger girl's scheming imagination. And Briony will have committed a dreadful crime, the guilt for which will color her entire life.
In each of his novels Ian McEwan has brilliantly drawn his reader into the intimate lives and situations of his characters. But never before has he worked with so large a canvas: in Atonement he takes the reader from a manor house in England in 1935 to the retreat from Dunkirk in 1941; from the London's World War II military hospitals to a reunion of the Tallis clan in 1999.
Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Contemporary Classics include an introduction, a select bibliography, and a chronology of the author's life and times.
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DK Nnuro found inspiration in the Ian McEwan novel "Atonement" when writing his debut novel. He considers the book something of a response, set in Ghana. https://t.co/h9it6nQeel https://t.co/daKRQgpyLa
"It is rare for a critic to feel justified in using the word "masterpiece," but Ian McEwan's new book really deserves to be called one...Atonement is a work of astonishing depth and humanity... This novel really is worthy of the Booker." -The Economist
"The narrative, as always with McEwan, smoulders with slow-burning menace. the book is magically readable and never has McEwan shown himself to be more in sympathy with the vulnerability of the human heart." -The Sunday Times
"McEwan is a consistently entertaining storyteller, giving good weight right up until the final page. Even by his exacting standards his latest novel is extraordinary. His trademark sentences of sustained eloquence and delicacy, which have sometimes over-rationalized the evocation of emotion, strike a deeper resonance in Atonement." -The Times