Reader Score
84%
84% of readers
recommend this book
Critic Reviews
Great
Based on 11 reviews on
August Wilson wrote a series of ten plays celebrating African American life in the 20th century, one play for each decade. No other American playwright has completed such an ambitious oeuvre. Two of the plays became successful films, Fences, starring Denzel Washington and Viola Davis; and Ma Rainey's Black Bottom, starring Viola Davis and Chadwick Boseman. Fences and The Piano Lesson won the Pulitzer Prize for Drama; Fences won the Tony Award for Best Play, and years after Wilson's death in 2005, Jitney earned a Tony Award for Best Revival of a Play.
Through his brilliant use of vernacular speech, Wilson developed unforgettable characters who epitomized the trials and triumphs of the African American experience. He said that he didn't research his plays but wrote from "the blood's memory," a sense of racial history that he believed African Americans shared. Author and theater critic Patti Hartigan traced his ancestry back to slavery, and his plays echo with uncanny similarities to the history of his ancestors. She interviewed Wilson many times before his death and traces his life from his childhood in Pittsburgh (where nine of the plays take place) to Broadway. She also interviewed scores of friends, theater colleagues and family members, and conducted extensive research to tell the story of a writer who left an indelible imprint on American theater and opened the door for future playwrights of color.
"Wilson’s artistic story, throbbing with the ancestral memory Wilson felt in his blood, is profoundly inspiring in Hartigan’s magnificent rendering…Hartigan brings a sharp critical perspective to bear that keeps “August Wilson: A Life” from crossing over into hagiography."
"This biography deftly traces his ascent to becoming one of America’s preëminent dramatists…Hartigan ably argues that his dramas, many of which pay close attention to ancestral lineages and ideas about inheritance, continue to reveal “fissures in the national culture.”"
"The critic Patti Hartigan’s August Wilson: A Life traces the larger context of his achievement as thoroughly as it does his distinctive vision...Wilson’s vision conjoined hoodoo and history in completely singular ways. Against the odds, he arrived at the apex of American theater."