
Abidjan's favorite daughter returns in an all-new volume of writer Marguerite Abouet's beloved series
Long-time creative team Marguerite Abouet and Clément Oubrerie make a stunning comeback after a lengthy twelve-year hiatus. Aya: Claws Come Out takes us all back to Yop City--home to the hustle and bustle of the Ivory Coast.
Marguerite Abouet was born in Abidjan, Ivory Coast, in 1971. At the age of twelve, she was sent with her older brother to study in France under the care of a great uncle. She lives in Romainville, a suburb of Paris, where she works as a legal assistant and writes novels she has yet to show to publishers. Aya is her first comic. It taps into Abouet's childhood memories of Ivory Coast in the 1970s, a prosperous, promising time in that country's history, to tell an unpretentious and gently humorous story of an Africa we rarely see―spirited, hopeful, and resilient.
Clément Oubrerie was born in Paris in 1966. After a stint in art school he spent two years in the United States doing a variety of odd jobs, publishing his first children's books and serving jail time in New Mexico for working without papers. Back in France, he went on to a prolific career in illustration. With over forty children's books to his credit, he is also cofounder of the 3D animation studio Station OMD. A drummer in a funk band in his spare time, he still travels frequently, especially to the Ivory Coast. In Aya, his first comic, Oubrerie's warm colors and energetic, playful line connect expressively with Marguerite Abouet's vibrant writing."Abouet's brilliantly illustrated series about the lives of three friends in Abidjan is as funny and sharp as ever [with] feminist sass and distinctive wit." --The Guardian
"[Aya] is full of everyday heroes, and topping the list is Aya herself, a young woman navigating the delights and obstacles of early adulthood in the West African nation of Ivory Coast." --Elian Peltier, The New York Times "Oubrerie [has an] innate ability to bring neighbourhoods to life with seemingly effortless scratches of his pen." --Broken Frontier "Just as in any other great soap opera, the last page leaves the reader desperate to find out what will happen next." --blogcritics "An absorbing and eye popping look at Africa in the 1990s." --Youth Services Book Review