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Book Cover for: Belfast Punk and the Troubles: An Oral History, Fearghus Roulston

Belfast Punk and the Troubles: An Oral History

Fearghus Roulston

This book is an oral history of the punk scene in Belfast from the mid-1970s to the mid-80s. It explores what it was like to be a punk in a city shaped by the violence of the Troubles, and how this differed from being a punk elsewhere. It also asks what it means to have been a punk - how punk unravels as a thread throughout the lives of the people interviewed, and what that unravelling means in the context of post-peace-process Northern Ireland. In doing so, it suggests a critical understanding of sectarianism, subjectivity and memory politics in the North, and argues for the importance of placing punk within the segregated structures of everyday life described by the interviewees.

Belfast punk and the Troubles is an intervention in Northern Irish historiography stressing the importance of history from below, and will be compelling reading for historians of Ireland and of punk, as well as those interested in innovative approaches to oral history.

Book Details

  • Publisher: Manchester University Press
  • Publish Date: Nov 26th, 2024
  • Pages: 204
  • Language: English
  • Edition: undefined - undefined
  • Dimensions: 8.50in - 5.50in - 0.43in - 0.53lb
  • EAN: 9781526182463
  • Categories: Modern - 20th Century - GeneralGenres & Styles - PunkEurope - Ireland

About the Author

Fearghus Roulston is a Lecturer of History at the University of Strathclyde

Praise for this book

'...it is a great, distinctive account of the life in Northern Ireland in the second half of the twentieth century.'
Marie Gemrichova, Charles University Prague'

'In sum, this is an interesting and... elegantly written book that will appeal especially to scholars interested in the dog-eared history of Belfast punk and those who work on the subculture in other settings.'
Irish Journal of Sociology

'An oral history to add to the many, many accounts from The Troubles that give it a refreshing perspective whilst never shaking free from its context.'
Oral History Journal