"A formidable one-woman show ... Bennett allows the reader to sit in the house with her ... without unctuousness or hypocrisy. And what an engrossing house it is."-The New Yorker

"Good old-fashioned modernist fun... The novel contains many ... moments of almost febrile power, rendered in prose both gorgeous and a little unnerving. To call Big Kiss, Bye-Bye entertaining would be to do an injustice to its discomfiting depth, but reading it is a strange and wonderfully invigorating experience."-The New York Times Book Review

"A work of extraordinary subtlety. . .Bennett displays her characteristic aversion to identikit templates of feeling and desire that distort the real emotional complexity of our attachments and aversions to other people, and especially those people who have most profoundly shaped our inner lives. . .Its visceral and unerringly convincing depictions of sexual feeling. . . capture inexpressible intensities of experience."-Financial Times

"A writer of great linguistic inventiveness." -The Atlantic

"A striking novel about a writer's retreat into solitude in the aftermath of a love affair ... Bennett ranges freely in register and tone, from passionate desire evocative of Ulysses's Molly Bloom to a measured treatise on violence in cinema.... An intellectual tour de force." -Publishers Weekly, STARRED review

"The speaker's exquisite sensibility, and her assured sense of her own perceptions, provides a throughline for the pastiche of scenes, dreams, and conversations that make up this book.... [It] reminds us that the goal of art is sometimes to see clearly and specifically what is there to be seen, with no duty to dictate its progress or its outcome. A languorously unfurling novel that rewards the reader's attention and time." -Kirkus