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Book Cover for: Bleed and See, Chris Laoutaris

Bleed and See

Chris Laoutaris

Bleed and See is an elegy for Chris Laoutaris' brother, George Laoutaris, whose premature death is grasped so close in the poet's hands, it passes with the beauty of the last of the summer roses. Chris Laoutaris quotes from an army of rich sources, from Desiderius Erasmus to Denise Levertov, with the inner strength to match them: "wisdom acquired through suffering is a kind of gift". Bleed and See is an otherworldly, moon-drenched collection which, like the best elegies, leaves us changed.

Book Details

  • Publisher: Broken Sleep Books
  • Publish Date: Oct 31st, 2022
  • Pages: 172
  • Language: English
  • Edition: undefined - undefined
  • Dimensions: 8.00in - 5.00in - 0.37in - 0.39lb
  • EAN: 9781915079909
  • Categories: European - English, Irish, Scottish, WelshSubjects & Themes - Death, Grief, Loss

About the Author

Laoutaris, Chris: - Dr Chris Laoutaris is a biographer, historian and lecturer at The Shakespeare Institute in Shakespeare's birthplace of Stratford-Upon-Avon. His most recent book, Shakespeare and the Countess: The Battle that Gave Birth to the Globe (Pegasus/Penguin), was shortlisted for the Tony Lothian Prize for Biography, was Observer Book of the Year, Telegraph Book of the Year, one of the New York Post's 'Must-Read Books', one of the Daily Telegraph's top ten history holiday reads, and made it into the Bookseller's top ten most reviewed books for the season of its release. Laoutaris recently signed a two-book deal with HarperCollins in the United Kingdom, whose William Collins imprint scored the rights in competition with several other major commercial publishers. Pegasus Books secured the contract for Laoutaris' next two books in North America.Dr Laoutaris has written for the Financial Times, Sunday Express, Times Higher Education Supplement, BBC History Magazine, BBC Shakespeare Lives, and reviewed for various academic publishers and journals. His recent media work includes BBC1's flagship current affairs program The One Show, BBC Midlands, BBC Radio London, the Australian Broadcasting Corporation, Newstalk Radio Dublin, the Cyprus Broadcasting Corporation's RIK Television, Notimex (Mexico's largest media agency), and the BBC Shakespeare Festival. He is currently in discussions with various producers about the prospect of optioning Shakespeare and the Countess for film.The recipient of two major Fellowships from the British Academy (Post-Doctoral Fellowship) and the Shakespeare Institute (University of Birmingham, Birmingham Fellowship), Laoutaris received his doctorate from University College London where he was also a lecturer and Renaissance Literature Course Convenor before moving to the Shakespeare Institute. He is holder of the Morley Medal in English, the Ker Memorial Prize in English, and was shortlisted for the Eric Gregory Poetry Awards.Laoutaris is the author of an academic monograph, Shakespearean Maternities: Crises of Conception in Early Modern England; is contributor to two of Ashgate Press's Studies in Performance and Early Modern Drama series of books and the Cambridge Companion to Shakespeare's First Folio; has written articles on Renaissance women, portraiture and political coteries; and has completed a study of activist female translators and historical writers for Palgrave Macmillan's History of British Women's Writing: 1500-1610, which won the Society for the Study of Early Modern Women Collaborative Project Award.

Praise for this book

This is a courageous, moving and deeply moral collection, as endlessly curious and outward looking as it is intellectually generous and compassionate. In Laoutaris we have a poet who invites us to think deeply, radically, and rewards us with imagistic genius and indelible phrasing. And unflinching and clear-sighted. Any serious poet is probably haunted by Adorno's charge, a sense of its impossibility, or to stand outside the hall of mirrors we're duty-bound to critique; it moves me to read work which achieves that. Bleed and See is a character study (for all of us as well as its subject, the poet's brother George), an elegy, a profound literary and ontological history. A vital debut.

- Luke Kennard, Winner of the Forward Prize for Poetry for Notes on the Sonnets


In Bleed and See Laoutaris shows how difference becomes the pretext for the dehumanizing of the other, of how we relish standing taller than, cutting off at the knees, those we "see" as different and those we are blindly taught to fear. Every poem speaks not just to one brother's experiences, to the inhumanity suffered by the individual, but to the larger worldwide inhumanity we perpetuate against our common humanity. The 'brother' of these poetic psalms is as much our brother in love and pain as he is the poet's. Laoutaris is an incredible writer, the bearer of deep-evoking truths which stir change wherever the winds of his words touch wounds.

- Neal Hall, MD, Winner of the Black Caucus of the American Library Association Best Poetry Book Award


'The odds of flesh and fang which meet in the fabric.' Chris Laoutaris' poems manage to turn visceral suffering into something sacred: a set of finely wrought objects we turn over and over as we encounter the difficult fact of living with disability. His poems offer complex forms of material anthropology - a mesmerising dance macabre. Laoutaris reminds us that art can be wrought from the ugliness of pain, and that poetic metaphor, when it is so carefully curated, can produce sudden and startling releases of feeling. Exquisite relief.

Bleed and See is reminiscent of the poetry of Jacobean revenge drama - Webster's The Duchess of Malfi and The White Devil - run through the idioms of twentieth century lyrical poets Sylvia Plath and Robert Lowell. His poems explode in front of us but their effect is often a deadly quiet: the quiet sound of love feeling its way through depths of pain.

- Sally Bayley, author of Girl With Dove and No Boys Play Here