Voya Thomas may have passed her Calling to become a full-fledged witch, but the cost was higher than she'd ever imagined.
Her grandmother is gone.
Her cousin hates her.
And her family doesn't believe that she has what it takes to lead them.
What's more, Voya can't let go of her feelings for Luc, sponsor son of the genius billionaire Justin Tremblay--the man that Luc believes Voya killed. Consequently, Luc wants nothing to do with her. Even her own ancestors seem to have lost faith in her. Every day Voya begs for their guidance, but her calls go unanswered.
As Voya struggles to convince everyone--herself included--that she can be a good Matriarch, she has a vision of a terrifying, deadly future. A vision that would spell the end of the Toronto witches. With a newfound sense of purpose, Voya must do whatever it takes to bring her shattered community together and stop what's coming for them before it's too late.
Even if it means taking down the boy she loves--who might be the mastermind behind the coming devastation.
--Aiden Thomas, New York Times bestselling author of Cemetery Boys
Voya Thomas is a 16-year-old Black Canadian girl with Trinidadian roots--and a fledgling witch. Her ascension to becoming a proper witch is dependent on her performance at her Calling. Every witch-to-be is assigned a test by one of their ancestors, and if they are successful, they receive their magic and the specially chosen gift of an ability. Refusing to accept the task means no future members of Voya's bloodline will be Called by the ancestors and therefore can never become witches; accepting but failing the challenge set for her will cause every witch in her family to lose the magic upon which their livelihood depends. During the ritual, Voya finds out that the stakes for her Calling are even steeper than she could have imagined: Before the Caribana carnival in a month's time, she must kill her first love. But Voya has never been in love, so she must now find someone, fall in love, and then sacrifice him. Sambury's prose is fluid and eloquent and will enthrall readers. The protagonist's voice feels refreshingly authentic, and the supporting characters are diverse and multidimensional, with well-developed relationships. Sensitive topics and themes, like slavery and racism, emerge in the novel's original and compelling storylines.
A breath of fresh air for the genre; readers will be spellbound. (Fantasy. 14-18)--STARRED Kirkus review of BLOOD LIKE MAGIC "April 15, 2021"
Voya is facing the aftermath of the tough choices she made in Blood Like Magic (2021) in order to pass her Calling and acquire magical powers. Having received two gifts, Voya is now the youngest Matriarch ever to be crowned in her family. She finds that she has much to do to earn the respect of those around her--and possibly even those who came before her, since her ancestors have not answered any of her calls for guidance. The recent death of her grandmother--her family's previous Matriarch--has caused new intrafamilial strain and enhanced existing stressors. Not only that, but Justin Tremblay, renowned tech magnate and sponsor father of Luc, Voya's first love, is presumed dead, and Luc thinks Voya is responsible. As if her plate weren't full enough, Voya experiences a vision that shows her the potential annihilation of her family and the wider Black witch community in Toronto. Now, to try and prevent the devastating future she foresaw, she has to work to overcome her insecurities as a Matriarch and convince the elders who also lack faith in her to unite. Thanks to Sambury's fluid writing style and well-established storyline and characters, readers will easily be able to follow Voya and other supporting characters as their lives and challenges become more complicated.
A worthy follow-up to a stellar debut.
(Fantasy. 14-18)--Kirkus Reviews "6/15/22"