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The co-op bookstore for avid readers
Blue If Only I Could Tell You
Blue If Only I Could Tell You is the thirteenth collection of poetry by Richard Tillinghast. Long awaited, the book is his first since Wayfaring Stranger came out in 2012. Melodious, lyrical, these poems of place and displacement are deeply personal at times as they look back over a long and eventful life. Tillinghast also focuses on troubled and troubling aspects of the American story: the Indian Wars of the 19th century and the history of race relations in his native South, from slavery to the country's current racial reckoning. It is rare to see a poet with such gifts for musicality, vivid imagery and finely honed diction address himself so pointedly to issues of social and political import.
Book Details
- Publisher: White Pine Press (NY)
- Publish Date: Jul 19th, 2022
- Pages: 108
- Language: English
- Edition: undefined - undefined
- Dimensions: 9.00in - 5.90in - 0.30in - 0.40lb
- EAN: 9781945680571
- Categories: • Subjects & Themes - Places• American - General
About the Author
Richard Tillinghast was born and raised in Memphis. After college at Sewanee he did graduate work at Harvard, where he studied with Robert Lowell. The author of thirteen books of poetry and five of creative nonfiction. He has taught at Harvard, Berkeley, the College Program at San Quentin Prison, and the University of Michigan in the US as well as at Trinity College Dublin and the Poets' House in Ireland. He has been awarded the James Dickey Prize for poetry from Five Points and the Cleanth Brooks Award for nonfiction from The Southern Review. Currently a member of the Core Faculty in the Converse College MFA program, he is Emeritus Professor of English at the University of Michigan and a founder and past Director of the Bear River Writers' Conference in Northern Michigan.
Praise for this book
"Blue If Only I Could Tell You is a book of journeys and arrivals, of the many far and
consequential places we might find ourselves: Punjab, Tipperary, the sandy
banks of the Platte River in Nebraska. Exquisitely plainspoken, clear-eyed and
wise, Tillinghast is keenly aware of the histories and stories that shape our
worlds; these poems roam and wonder and find homes for us everywhere." --Joe Wilkins, author of When We Were Birds and judge
for the White Pine Press Poetry PrizeBlurbs
from previous titles:
"More outward-looking and international-minded though he is
than most contemporary American poets, Tillinghast nonetheless registers his
country's history on his pulse. . . . His most recent poems, undoubtedly his
finest to date, fuse a sobering sense of mortality with the exhilaration of
renewal, indeed rejuvenation, through love."--Dennis O'Driscoll,
from the introduction to Selected Poems, 2009"These powerful, deceptive poems appear to be about place.
At first sight, they engage and enchant us with the eloquences and cadences of
objects and distances: strange headstones, unfamiliar peat smoke and faraway
drift-fishing. But the force of this work is to make us wake from those
enchantments to see that these are, in fact, not poems of place, but of
displacement. It is the pain and waywardness of that displacement which makes
these poems, finally, so compelling."--Eavan Boland on Six Mile Mountain, 2000
consequential places we might find ourselves: Punjab, Tipperary, the sandy
banks of the Platte River in Nebraska. Exquisitely plainspoken, clear-eyed and
wise, Tillinghast is keenly aware of the histories and stories that shape our
worlds; these poems roam and wonder and find homes for us everywhere." --Joe Wilkins, author of When We Were Birds and judge
for the White Pine Press Poetry PrizeBlurbs
from previous titles:
"More outward-looking and international-minded though he is
than most contemporary American poets, Tillinghast nonetheless registers his
country's history on his pulse. . . . His most recent poems, undoubtedly his
finest to date, fuse a sobering sense of mortality with the exhilaration of
renewal, indeed rejuvenation, through love."--Dennis O'Driscoll,
from the introduction to Selected Poems, 2009"These powerful, deceptive poems appear to be about place.
At first sight, they engage and enchant us with the eloquences and cadences of
objects and distances: strange headstones, unfamiliar peat smoke and faraway
drift-fishing. But the force of this work is to make us wake from those
enchantments to see that these are, in fact, not poems of place, but of
displacement. It is the pain and waywardness of that displacement which makes
these poems, finally, so compelling."--Eavan Boland on Six Mile Mountain, 2000