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Book Cover for: Bodies in Motion and at Rest: On Metaphor and Mortality, Thomas Lynch

Bodies in Motion and at Rest: On Metaphor and Mortality

Thomas Lynch

Thomas Lynch, poet, funeral director, and author of the highly praised The Undertaking, winner of an American Book Award and finalist for the National Book Award, continues to examine the relations between the "literary and mortuary arts."

Book Details

  • Publisher: W. W. Norton & Company
  • Publish Date: Jun 1st, 2001
  • Pages: 280
  • Language: English
  • Edition: undefined - undefined
  • Dimensions: 8.26in - 5.46in - 0.71in - 0.54lb
  • EAN: 9780393321647
  • Categories: EssaysDeath & Dying

About the Author

Lynch, Thomas: - Thomas Lynch's stories, poems, and essays have appeared in Granta, the Atlantic, Harper's, the New York Times, and elsewhere. His first collection of essays, The Undertaking, was a finalist for the National Book Award. Lynch lives in Milford, Michigan.

More books by Thomas Lynch

Book Cover for: The Undertaking: Life Studies from the Dismal Trade, Thomas Lynch
Book Cover for: Bone Rosary: New and Selected Poems, Thomas Lynch
Book Cover for: Booking Passage: We Irish and Americans, Thomas Lynch
Book Cover for: The Good Funeral: Death, Grief, and the Community of Care, Thomas G. Long
Book Cover for: Whence and Whither: On Lives and Living, Thomas Lynch
Book Cover for: Apparition & Late Fictions: A Novella and Stories, Thomas Lynch
Book Cover for: A Description of the Island of Jamaica, Richard Blome
Book Cover for: Sermons for my Curates, Thomas Lynch
Book Cover for: Walking Papers: Poems 1999-2009, Thomas Lynch
Book Cover for: Apocalyptic Political Theology: Hegel, Taubes and Malabou, Thomas Lynch
Book Cover for: ParaTom's Guide To Paranormal Investigations, Julie Williams
Book Cover for: No Prisoners, Thomas Lynch
Book Cover for: Tiny Tytan's Mighty Quest, Thomas Lynch
Book Cover for: Federal Budget and Financial Management Reform, Thomas Lynch

Praise for this book

Lynch brings a vast accumulation of life-and-death wisdom to the table, and he makes connections between art and mortality that reverberate in the mind. Few readers will walk away from this volume less than stunned and grateful.--Jay Parini
Lynch shows himself to be a master of the essay...[he] speaks eloquently in the voice of both poet and undertaker.-- "New York Times Book Review"
Lynch writes beautifully and arrestingly about death because he seems to know so much about life.-- "Elle"
If the personal essay as a form seems especially vital today, if it seems more congruent than other literary forms to everyday life--and if capturing the everyday life that we find in essays seems more worthwhile than ever before, a challenge befitting a genuine hero of consciousness--Thomas Lynch is one of the first we have to thank.-- "Salon"
[Lynch] demonstrates once again his quizzical, gently cantankerous, free-minded Yeatsian charm. As he comments on the big and the small things of life, Mr. Lynch engages the reader with a mixture of poetic and funerary elements, of ephemera and durables both...his voice is rich and generous.--Richard Bernstein "New York Times"
Lynch has his finger on the bloody pulse of creation, and what makes him such a fine essayist is that it's just the business of everyday life and death to him.-- "Los Angeles Times"