'Bolt from the Blue is a scintillating, wistful exploration of a good career and a poor relationship. Pithy yet expansive, it's an essential, engrossing, illuminating read for any aspiring artist.'
-- Sara Baume, author of Handiwork

'There's a strange magic to Jeremy Cooper's writing. The way he puts words together creates an incantatory effect. Reading him is to be spellbound, then. I have no idea how he does it, only that I am seduced.'
-- Ben Myers, author of The Offing

'For a book that has the word 'love' on almost every page, Bolt from the Blue is endlessly inventive in showing us how love is often hidden, rationed, coded and disguised. It is an epistolary dialogue between a life of possibilities - as shown through the maturing vision of an artist - and one of disappointments, expressed through the wise and seasoned scepticism of the artist's mother. Jeremy Cooper is a deft and sensitive writer who understands how to entrust his book to his characters.'
-- Ronan Hession, author of Leonard and Hungry Paul

'A novel written in epistolary form, Cooper has maximised the potential of this literary convention to achieve a work of great depth and quiet power. Over three decades, a mother and her artist daughter communicate only by letters, excavating their relationship as it evolves with melancholic, astute precision. At times spellbinding and mesmerising, the work also proves provocative and inspirational. As much a love letter to the lost art of letter-writing as it is a thirty year-long dialogue of familial love, Cooper has produced an understated book that nonetheless resonates powerfully. This book is deeply sensitive to the ebb and flow of relationships over time and the way love is disguised, expressed and experienced, and it achieves that elusive dream of all authors and finds new meaning in the recording of life.'
-- Helen Cullen, Irish Times

'Bolt from the Blue is a venturesome, epistolary fiction spanning over 30 years.'
-- Catherine Taylor, Financial Times

'A novel in epistolary form, the writer and art historian's latest work is both an intimate account of a mother-daughter relationship and a lively history of London's art scene. It is October 1985 when Lynn moves to the capital to study at Saint Martin's, later making a successful career as an artist. She and her mother, who is back at home in Birmingham, begin a 30-year-long written relationship - via letters, postcards and emails. Their contact is irregular, and by turns affectionate and combative, making the relationship feel engrossing, deep and utterly true.'
-- New Statesman

'Jeremy Cooper's work is consistently haunting and layered, built on a refreshing trust in the reader to delve deeper behind the quiet insinuations of his prose. His work resists every modern accelerant, creating a patient and precise tonic. He is easily one of the most thoughtful British fiction writers working today.'
-- Adam Scovell, author of How Pale the Winter Has Made Us