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Book Cover for: Bright with Invisible History: A William Bauer Reader, William A. Bauer

Bright with Invisible History: A William Bauer Reader

William A. Bauer

Bright with Invisible History gathers a selection of poetry, short stories, journal entries, book reviews, and other prose by a remarkable man. William Bauer's writings are full of affection for the puzzling and often humorous behaviour of human beings. He catches both the strangeness and the pathos of our lives.


Memorable voices and characters, along with lyrical reflections and autobiographical musings, flow from Bauer's imagination. His language ranges from the playfulness and rich diction of 18th-century British prose-writers (his teaching specialty) to the vernacular spark of 20th-century Maritime and New England speech. He had a special skill for using humour to explore life's questions and quandaries. Suspicious of high seriousness, Bauer wrote some of the zestiest poetry and fiction of his time.


With the publication of Bright with Invisible History we now have the full range of William Bauer's storytelling, inventiveness, and original mind brought together in the pages of one book.


Book Details

  • Publisher: Chapel Street Editions
  • Publish Date: Dec 29th, 2020
  • Pages: 238
  • Language: English
  • Edition: undefined - undefined
  • Dimensions: 9.00in - 6.00in - 0.50in - 0.71lb
  • EAN: 9781988299341
  • Categories: CanadianCanadian

About the Author

Bauer, William A.: - "William Bauer (1932-2010), born and raised in Maine, completed degrees in Massachusetts, Connecticut, and North Carolina. In 1965 when the University of New Brunswick hired him to teach, he and his writer wife, Nancy, moved to Canada. Over the next thirty years Bauer taught many fields of Literature at UNB, with a specialization in 18th-century British Prose. Also a teacher of Creative Writing, he worked as both Poetry and Fiction editor for The Fiddlehead, and - with Nancy, a fiction-writer - belonged to a long-lasting writing workshop known under several names: The Ice House, McCord Hall, Tuesday Night. Bauer published two poetry chapbooks, Cornet Music for Plupy Shute and Everett Coogler; two full-length collections of poetry, The Terrible Word and Unsnarling String; and a selection of short stories, A Family Album. Much of his family-centred life revolved around his and Nancy's children Ernie, Grace and John. His fascination with creativity in its many forms prompted him to experiment with pursuits such as painting, rug-hooking, papier-mache art, and gourd-painting."
Bartlett, Brian: - Brian Bartlett, born in 1953 in St. Stephen, NB, has published many collections and chapbooks of poetry, including The Watchmaker's Table, The Afterlife of Trees, and Wanting the Day: Selected Poems. His other publications include two books of nature writing, and a compilation of his prose on poetry. He has also edited many books, including selections of New Brunswick poets Dorothy Roberts and Robert Gibbs, and Collected Poems of Alden Nowlan. Bartlett taught English and Creative Writing at St. Mary's University in Halifax for nearly thirty years before his retirement in 2018.

Praise for this book

".... a poet who can get his wild sense of humour into poems that are linguistically subtle and open in form. Bauer cares about language, and loves it. The comedy is his way of exploring the large questions of life as process rather than stasis. The Terrible Word is both damn good and damn entertaining."

Douglas Barbour, The Dalhousie Review


"A gentleman-rather than a vulgarian-satirist, Bauer does not often find vice in his fellow man, but perhaps that is so because the people in his poems are liable to be more confused than destructive.... But laughter almost always wins out over despair."

Michael Brian Oliver, The Fiddlehead


"A Terrible Word has a vigour and wry humour reminiscent of Mark Twain. In 'What I Shudda Said to the Lady Who Asked Me, ' Bauer's excitement is so infections that you want to jump up on the desk beside him and shout your reply. Poems like 'Municipal Water' and 'Landscape As Tune' serve as calmer, meditative ground for the more outspoken pieces."

Cathleen Hoskins


"One of Bauer's chief strengths in A Family Album is a strikingly inventive imagination. We are urged to share his delight in life's absurdities, even while recognizing that the foibles he describes in others are too frequently our own."

Roger MacDonald, Canadian Book Review Annual


"In one of Bauer's stories, a photo of two smiling girls has caught one of them with her hands clenched in a fist. A nephew wonders, but as he says, he wonders out of love and all those who wonder for any other reason are 'voyeurs.' Bauer too wonders out of love, and his insights don't allow either himself or his readers to stoop to becoming voyeurs. He preserves and protects while missing nothing. Such tact and dignity are welcome."

Alexandra McHugh, The Gazette (Montreal)


"These stories are specific in capturing a recognizable region: the slow-paced, tradition-bound Eastern Seaboard. It is an idyllic world from certain angles and in certain seasons, but change the perspective, come two steps closer, and it darkens into a place betrayed and deserted by time.... For those interested in the art of narration, these stories are a pleasure to read. One savours the rich and varied vocabulary, and the experimentation with language and structure."

Carrie MacMillan, Quill and Quire


"Unsnarling String combines humour and down-to-earth philosophy, commonplace experience and delightful eccentricities. Bauer writes about simple things in life that become ridiculously tangled, and about how people reduce life's complications to simple formulas for survival..... Poems to be read aloud to family and friends."

Richard Lemm, The Atlantic Provinces Book Review