"Gayl Jones's work represents a watershed in American literature. From a literary standpoint, her form is impeccable . . . and as a Black woman writer, her truth-telling, filled with beauty, tragedy, humor, and incisiveness, is unmatched."
--Imani Perry, author of, Looking for Lorraine and Breathe
Gayl Jones, who was first edited by Toni Morrison, has been described as one of the great literary writers of the 20th century and was recently a finalist for the Pulitzer Prize in fiction. This new collection of short fiction is only the second in her rich career, and one that displays her strengths in the genre in many facets. Opening with two novella-length works, "Butter" and "Sophia," this collection features Jones's legendary talents in a range of settings and styles, from the hyper-realist to the mystical, in intricate multi-part stories, in more traditional forms, and even in short fragments.
Her narrators are women and men, Black, Brown, Indigenous; her settings are historical and contemporary, in South America, Mexico and the US; her themes center on complex identities, unorthodox longings and aspirations. She writes about spies, photographers, playground designers, cartoonists, and baristas, about workers and revolutionaries, about environmentalism, feminism, poetry, film and love, but above all about our multicultural, multiethnic and multiracial society.
"A collection of glorious stories and rough fragments. . . . [T]hese stories sing. This is a gift for Jones's fans."
--Publishers Weekly
"Every Jones publication is a major event, but this one is particularly precious. This wide ranging collection of short fiction is only the second by one of our most lauded literary authors."
--Oprah Daily
"Butter tells singing stories of characters navigating multiracial, multicultural societies."
--TIME
"At this point, I will read anything Gayl Jones has written, and you should too. This is a collection of novellas and stories, some never-before-published and others substantially revised."
--Karla Strand, Ms.
"Jones's writing powerfully blends narrative and lyricism . . . Her imagination seems to thrive on outstripping one's expectations."
--Margo Jefferson