Chamelea
by D.H. Robbins
Anguished voices gnaw through the subconscious of a schizophrenic like termites of the psyche. There is nowhere to turn as the commanding voices conjure up a will to murder. Such is the case with Reverend Thomas Barragan Deavers as he hears the controlling voice of his inner God.
By the time Thomas Barragan was an eight-year-old boy, his mother had instilled within him the emotional foundations of the daughter she would have preferred. Now, as an adult, and a Reverend, his female instincts have consumed him. Operating under his alter-ego, "Chamelea," he becomes a "liberator of souls." He has developed his talent as a hypnotist and his calling as a man of God to secure the trust of his female victims. He worms his way onto his female victim's insecurities to mesmerize them-with the help of LSD-laced Communion wafers-into finding absolution to then die by his hand under his direction. It is, after all, God's will for them. By dispensing his own brand of last rites as predator and priest, they die in his embrace, as he feels the warmth of their departing souls enrich his own. Only in this way can The Reverend Barragan satisfy his--and his inner god's--compulsion to nurture his inherent and rapacious woman's soul. It is, after all, his god's will for him. He believes Chamelea, that person within him, is pure.
"Chamelea" is also a story of the dysfunctional relationship between Reverend Barragan and his estranged twenty-one-year-old daughter, Regina. Having lost her mother to a suspicious drowning over ten years before, she and her father have distanced themselves from the ability to love. The Reverend is as driven to seek her out as she is compelled to escape her memory of him.
Kirkus:
"Robbins skillfully unfolds a parallel narrative that reveals the reverend (Thomas Barragan) as a diabolical mass murderer who conceives of himself as "Chamelea," a dark, supernatural avatar who strengthens himself by killing victims and fusing their souls with his own. As the killer becomes more comfortable on the Lower East Side, more and more bodies start showing up, eventually prompting Lt. Marty Cohansen and private investigator Ray Nealy to suspect they have a serial killer on their hands. Robbins dramatizes the police-procedural aspects of his story with a gritty, atmospheric energy that extends to much of the rest of the book. The novel is heavily laden with the sights and sounds of the period, including the songs on the radio.
"A gripping, authentic-feeling psychological drama of dark sexual identities. Robbins has crafted an effusively talkative novel of appalling events in the heart of a now-vanished New York City." --- Kirkus
Writer's Digest:
" D. H. Robbins's CHAMELEA is a compelling and strange story about schizophrenia and its effect on the individual as well as on those around the victim and in the family. Robbins is at his best when describing the world of the 1960s in which the novel is set, and there's a level of accuracy and authenticity there that I greatly appreciate.
"CHAMELEA is a strong novel in many ways, and Robbins deserves a good-sized audience for it." -- Writer's Digest