
A play bubbling with timely insights about trust, truth and the hard art of compromise. --Financial Times
The Kremlin, Moscow, 1942. A top-secret meeting between Winston Churchill and Joseph Stalin: one, a wealthy aristocrat from a blue-blooded line of English nobility; the other, a Georgian peasant, hell-bent on destroying capitalism and the class system. Can these two leaders find common ground? As diplomats struggle to control the escalating chaos, two interpreters find themselves caught in the eye of the storm.
Howard Brenton's gripping play Churchill in Moscow dramatizes the historic meeting of two unpredictable titans as history teeters on a knife-edge.
Howard Brenton, FRSL, is a renowned playwright and author. His many plays include The Ragged Trousered Philanthropists, adapted from the novel by Robert Tressell (Liverpool Everyman and Chichester Festival Theatre, 2010); Anne Boleyn (Shakespeare's Globe, 2010 and 2011); 55 Days (Hampstead Theatre, 2012); #aiww: The Arrest of Ai Weiwei (Hampstead Theatre, 2013); Drawing the Line (Hampstead Theatre, 2013); Doctor Scroggy's War (Shakespeare's Globe, 2014); Lawrence After Arabia (Hampstead Theatre, 2016); The Blinding Light (Jermyn Street Theatre, 2017); The Shadow Factory (NST City, Southampton, 2018); Jude (Hampstead Theatre, 2019); Cancelling Socrates (Jermyn Street Theatre, London, 2022) and Churchill in Moscow (Orange Tree Theatre, Richmond, 2025).
He has collaborated severeal times with other writers (e.g., Moscow Gold with Tariq Ali, RSC, 1990), and has adapted various classics, particularly Strindberg's Dances of Death (Gate Theatre, 2013), Miss Julie (Theatre by the Lake, Keswick, and Jermyn Street Theatre, London, 2017), and Creditors (Theatre by the Lake, Keswick, and Jermyn Street Theatre, London, 2019). He has also writtne for the screen, most notably on the BBC1 drama series Spooks (2001-05; BAFTA Best Drama Series, 2003).
A historical thriller that unfolds as a high-stakes game of diplomatic chess...razor-sharp dialogue and layered character portrayals...This is more than a history lesson, it's a deeply engaging theatrical experience.
--Theatre Weekly
Spikily poetic dialogue and laugh-aloud gags...an important play by a great theatrical survivor.
--Guardian
Enthralling...persuasive, with an unexpected comic sheen.
--The Times
Fascinating...dazzlingly delineates how a potentially ruinous showdown resolved itself into a meeting of minds which, arguably, won the war.
--Telegraph
Clever and witty...full of ideas, political playfulness and questing humanity.
--Evening Standard
Sharply incisive...a fascinating study of power, paranoia and realpolitik.
--The Stage
An assured, amusing and astute piece of writing...Brenton's writing is hugely funny, while never straying from the magnitude of the situation.
--BroadwayWorld
Biting and frequently hilarious...a riotous satire that will linger long in the memory.
--Reviews Hub
A thrill: a rich, dense imaginative history play dashed through with savage comic absurdity and streaks of unsettling insight.
--TheatreCat