Seattle artist Molly Hashimoto takes readers through some of the basics of painting the iconic mountains and tree lines of the West Coast. She even breaks down which brushes and techniques to use and organizes chapters by color. Even if painting isn't your aspiration, Colors of the West is a worthwhile read for the beautiful watercolor illustrations.-- "425 Magazine"
An inherently fascinating and delightful volume of images and commentaries, Colors of the West is a unique celebration of the flora and fauna to be found in our national parks and reserves. Certain to be an enduringly popular addition to personal, professional, community, and academic library art book collections, Colors of the West is unreservedly recommended.-- "Midwest Book Review"
Dividing up the book by these colors, and showing the possibilities, helps us see, and appreciate, some of the finer details of the parks when we visit. And Ms. Hashimoto's beautiful watercolors give us something to aim for, if we're so inclined to take palette and paintbrush into the parks and sit a while to take in the landscape. . . . For aspiring artists, this would be an excellent book to pack along for a field course in watercolors, such as those offered by Yellowstone Forever (where Ms. Hashimoto will be one of the instructors), Glacier Institute, the Grand Canyon Association, the North Cascades Institute, and others.-- "National Parks Traveler"
I love this book. I love everything about it.--Brian Cantwell "Seattle Times"
This is a peaceful book that honors artist as well as place.-- "Everett Herald"
'Colors of the West: An Artist's Guide to Nature's Palette, ' is beautiful, educational and instructive. It's a good read whether you've never made art or you're an old pro.--Jessi Loerch "Washington Trails Magazine"
From the green waters of Diablo Lake in Washington's North Cascades National Park to the orange sandstone of Arches National Park in Utah, Molly Hashimoto captures the beauty of Western ecosystems in Colors of the West. The book features her plein air watercolors of the wildlife and landscapes she's encountered in the parks, monuments, wilderness areas and refuges scattered across the region. Hashimoto's observations on natural history and recollections of light, color and specific scenes accompany the images. For readers interested in heading outside with a sketchpad, she includes a short tutorial on painting in natural settings. Tips on technique and short profiles of other artists whose work Hashimoto finds inspiring are sprinkled throughout the book. It's important to observe and record the details of the landscape, she writes, "but even more vitally, to communicate to others the value of these places."-- "High Country News"