She's the story writer of our time, choosing to shine light on the wreckage and the difficult choices that lay ahead: all we have to do is listen.-- "LitHub, A Most Anticipated Book of 2024"
Enchanting. . . . lyrical. . . . glimmering. . . . Elegantly poetic--and often archly funny--meditations on death by a superb writer.-- "Kirkus Reviews, Starred Review"
Resonant. . . . these pieces riddle the reader's mind with their exquisite enigmas. Williams continues to astonish.-- "Publishers Weekly"
Impressive. . . . beguiling. . . . fascinating. . . . This is a book to linger over, with more questions than answers, and it is sure to be lauded for its intellectual breadth and masterful control.-- "Shelf Awareness"
In the end, Williams wants her readers to laugh, but also to seriously consider what is happening to this one planet we share.-- "On the Seawall"
Strikingly singular.-- "Washington Independent Review of Books"
Joy Williams distills much learning -- from philosophy, religion and history -- into 99 stories about the guy who takes your soul.. . .[she] resembles Mark Twain in the wildcat nature of her literary scorn. . . . .[and] writes with more feeling about nature than any writer I know.-- "The New York Times"
A singular collection of microfiction that distills the strange into a pure concentrate, showcasing the essence of her unique voice.-- "Chicago Review of Books, A Best Book of July"
A strangely beautiful kaleidoscope, refracting the question of what it means to be human into ninety-nine bejeweled rays.-- "The Masters Review"
Further irrefutable proof of Williams's nonpareil genius.-- "Brooklyn Rail"
I want to say that if you banged a [Marilynne] Robinson novel off one by Cormac McCarthy, the sparks that flew would be something like Williams, except that neither of those writers does funny and Williams is the kind of funny you can't explain.... This is a book completed, after many other good books, by a master of the craft. Prepare to be moved.-- "Anne Enright, The Guardian (UK)"
Among parables, protestations, and observations, Williams weaves a rousing mythology.-- "New York Journal of Books"
Glittering. . . . filled with humor, canny allusion, beauty.-- "The New Yorker"
In reading this book, one has the feeling of brief but warm encounters with thousands of souls. As Williams eliminates the boundary between fiction and reality, her stories become even more evocative.-- "The Los Angeles Review"
A kind of offhanded brilliance. . . .She is making of the language something new and entirely her own.-- "Alta Journal"