By turns cinematic, cosmic, alchemical, and geometric, Confetti uses language to alter the boundaries between film and daily life. Against a backdrop of screens, personal relationships extend into a play of light to create a meditation on disposability and permanence. Confetti soaks up dirt, shimmers, and gets thrown up into the air, landing on the ground in strange piles.
Reviews. Interviews. Marginalia. An online publication of literary criticism focusing on debuts, works in translation, and books published by small presses.
"CONFETTI felt like it was getting written around my life. . . I had to give myself over to it. What horrific and beautiful forms and sensations are born from loss of agency?" —Emmalea Russo discusses her latest work (@hyperideanpress) w/ @poetrygrifter: https://t.co/kIT50S1AXT. https://t.co/DaHhYXeJOi
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"My ideal poetry collection limns a hybridity, more a vantablack inferno swallowing light, prismatic obsidian refracting the infra-interpersonal... " Manuel Marrero offers crystalline poetic exchange, the "cinema in space" in Emmalea Russo's "Confetti." https://t.co/arYNyLiXID https://t.co/3iToHdxiIg
Freudian cinephile. Feminine jouissance maximalist. Creator of the Projections lecture series @FreudMusLondon Cohost @ProjectionsPod Contributor @EvolutionPod
Today I'm recording with the formidable Emmalea Russo @asphaltemag to talk about her new book Confetti, psychoanalysis, Blonde, the state of the culture, Vincent van Gogh, Woody Allen, and lots of other fun tidbits. Subscribe to her sublime substack: https://t.co/7u982RHuTR https://t.co/TUxiamimnc