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Book Cover for: Crimes of the Future: Theory and Its Global Reproduction, Jean-Michel Rabaté

Crimes of the Future: Theory and Its Global Reproduction

Jean-Michel Rabaté

The decade since the publication of Jean-Michel Rabaté's controversial manifesto The Future of Theory saw important changes in the field. The demise of most of the visible French or German philosophers, who had produced texts that would trigger new debates, then to be processed by Theory, has led to drastic revisions and starker assessments.

Globalization has been the most obvious factor to modify the selection of texts studied. During the twentieth century, Theory incorporated poetics, rhetorics, aesthetics and linguistics, while also opening itself to continental philosophy. What has changed today? The knowledge that we live in a de-centered world has destabilized the primacy granted to a purely Western canon. Moreover, much of contemporary theory remains highly allusive and this is often baffling for students. Theory keeps recycling itself, producing authentic returns of basic theses, terms and concepts. Canonical modern theorists often return to classical texts, as those of Plato, Kant, Hegel, Nietzsche.

And now we want to know: what is new?

Crimes of the Future explores the past, present and potential future of Theory.

Book Details

  • Publisher: Bloomsbury Academic
  • Publish Date: Apr 24th, 2014
  • Pages: 280
  • Language: English
  • Edition: undefined - undefined
  • Dimensions: 8.40in - 5.50in - 0.80in - 0.90lb
  • EAN: 9781441172877
  • Categories: Semiotics & Theory

About the Author

Rabaté, Jean-Michel: - Jean-Michel Rabaté is one of the world's foremost literary theorists. He is Professor of English and Comparative Literature at the University of Pennsylvania, USA. Rabaté has authored or edited more than thirty books on modernism, psychoanalysis, contemporary art, philosophy, and writers like Beckett, Pound, and Joyce. Recent books include Crimes of the Future (Bloomsbury, 2014), The Cambridge Introduction to Psychoanalysis and Literature (2014), The Pathos of Distance (Bloomsbury, 2016), and Rust (Bloomsbury, 2018). He is one of the founders and curators of Slought Foundation in Philadelphia (slought.org) and the Managing Editor of the Journal of Modern Literature. Since 2008, he has been a Fellow of the American Academy of Arts and Sciences.

Praise for this book

In Crimes of the Future, Jean-Michel Rabaté offers the reader a dazzling series of encounters with thinkers, writers and artists who, since Kant, have fruitfully complicated our sense of the future. Moving with ease across a remarkable range of subjects (in both senses) and several linguistic and philosophical traditions, Rabaté teases out threads that link Mishima and Benjamin, Kafka and Hegel, Althusser and Antigone, and very many more. The result is an exhilarating and illuminating intellectual workout.
Dorothea Olkowski, Professor of Philosophy, University of Colorado, USA
In Crimes of the Future Rabaté demonstrates why Theory has a future; a vital one that sets out to answer the question 'how global should Theory be?' Rabaté rethinks a tradition grounded in philosophical and psychoanalytic approaches to theories of the subject for the human sciences today. New materialisms, object relations, technological and digital languages, ethics and bioethics, post-feminism and post-humanism, these are among the rich tendencies and problems foregrounded in this study. The intellectual topography is spot-on. There are few books that provide such a comprehensive and coherent overview of theory between 2001 and 2014 or that experiment with new conjugations so boldly.
Journal of Modern Literature
Crimes of the Future, Theory and its Global Reproduction does not only concern itself with modernity's obsession with producing a homeless subjectivity, but commensurately, with the face off between the individual and the community, the universal and the particular. It also admits to the thrill that we moderns experience even before our crime - the crime of the destruction of the past - is or was committed. Our expectation in the face of our crime is one with the thrill of the atomic eruption, the bomb blast. It leaves behind only the ironic laughter accompanying the destruction of ancient values that we theorists are not simply helpless to stop but actively engaged in producing as we too seek to participate in the infernal globalized production of ideas.