Ira Levin, the same author who terrified us with Rosemary's Baby and The Boys from Brazil also, astonishingly, wrote laugh-out-loud comedies. Here are three of his most side-splitting offerings--the pick of the litter--the critic's choice.
CRITIC'S CHOICE
This comic fable of fictional theater critic Parker Ballantine is a giddy excursion to a lost era of cocktails, tuxedos, witty quips, and urbane ripostes that "crackle and throw out sparks" (New York Morning Telegraph).
BREAK A LEG
A beleaguered theater company uses its combined talents to drive out the brutish critic who's been decimating their productions. If Dangerous Liaisons mated with She Loves Me, their child would be Break A Leg--the most howlingly riotous of all Levin's creations.
CANTORIAL
A synagogue-to-condo conversion is haunted by the ghost of its former cantor, in this buoyant comedy that's part ghost story, part musical, and--as Levin termed it--"probably the warmest thing I've ever written."
The genre-defining works of novelist-playwright Ira Levin (1929-2007) include such indelible titles as Rosemary's Baby, The Stepford Wives, The Boys from Brazil, and Deathtrap--the fifth longest-running play in Broadway history. At home in nearly every genre--horror (Rosemary's Baby), crime (Edgar-winning A Kiss Before Dying), science fiction (This Perfect Day), comedy (No Time For Sergeants), even a Broadway musical (Drat! The Cat!)--Levin's enduring works continue to resonate with readers and audiences, serving as iconic cultural and creative touchstones. Learn more at Levin's official website, IraLevin.org.
Nicholas Levin is the creator of the IraLevin.org special features Rosemary's Baby Album and Building Stepford Wives.
"Wittily ingenious."
-- "The Guardian on Break a Leg""One of the wildest, funniest...farces I've ever seen."
-- "Associated Press on Break a Leg""Ache-provoking laughs."
-- "Trumbull Times on Break a Leg""Cantorial is an easy, intriguing, and diverting theatrical page-turner...Strikes the right note...Inventive idea and crisp dialogue."
-- "New York Times on Cantorial""A sentimental ghost story."
-- "Washington Post on Cantorial""A fascinating spiritual journey."
-- "LA Weekly on Cantorial""It is so disarming that it could, if it gets around (and I'm sure it will), make the nation's youth aspire to become drama critics instead of firemen and baseball players."
-- "New York Daily News on Critic's Choice""Fresh and funny."
-- "New York Times on Critic's Choice""Sparkling venom."
-- "Boston Globe on Critic's Choice""Laugh laden and wonderful. Witty dialogue like a nonstop electric razor."
-- "The American on Critic's Choice"