
Reader Score
74%
74% of readers
recommend this book
Critic Reviews
Good
Based on 6 reviews on

"A radiant, absorbing novel, intensely alive to the beauty and mystery of the everyday."--Joanna Quinn
From the author of The End We Start From, now a major film starring Jodie Comer, and taking inspiration from the influential artists and intellectuals of the Bloomsbury Group, Days of Light is a sweeping, sensual historical novel of art, desire, and faith set against the backdrop of a changing England
Easter Sunday, 1938. Ivy is nineteen and ready for her life to finally begin. Her sprawling, bohemian family and their friends gather in the idyllic English countryside for lunch, arranging themselves around well-worn roles. They trade political views and artistic arguments as they impatiently await the arrival and first sight of Frances, the new beau of Ivy's beloved older brother, Joseph. In this auspicious atmosphere of springtime, Ivy's world feels on the cusp of something grand-but neither she nor those closest to her predicts how a single, enchanted evening and an unexpected tragedy will alter the rest of their lives.
A radiant, philosophical, and intimate journey through time, Days of Light chronicles six pivotal days across six decades to tell the story of Ivy's pursuit of answers--to the events of this fateful Easter Sunday and to the shifting desires of her own heart. Moving through the Second World War up to the close of the 20th century, Hunter captures the galvanic love and transformative moments that define a winding, beautiful life.
Megan Hunter is a prizewinning novelist, dramatist and screenwriter. Her first novel, The End We Start From (2017) was shortlisted for Novel of the Year at the Books Are My Bag Awards, longlisted for the Aspen Words Prize, was a Barnes and Noble Discover Awards finalist and won the Foreword Reviews Editor's Choice Award. It was adapted into a major motion picture by Alice Birch, starring Jodie Comer and directed by Mahalia Belo. Her second novel, The Harpy (2020), was Indie Book of the Month; she is currently adapting it for television with Red Planet Pictures. In 2024 her dramatic monologue Salt of the Earth premiered at Venice Film Festival. Megan's other writing has appeared in the White Review, the TLS, Literary Hub, Vogue, Elle, BOMB, and elsewhere. She lives in Cambridge, UK.
Praise for Days of Light
"There's warmth and depth in Hunter's well-wrought prose. The characters stay with you in the best way." --Sarah Moss
Praise for The End We Start From
"The End We Start From is a stunning tale of motherhood. Megan has crafted a striking and frighteningly real story of a family fighting for survival that will make everyone stop and think about what kind of planet we are leaving behind for our children."--Benedict Cumberbatch
"A beautifully spare, haunting meditation on the persistence of life after catastrophe. I loved it."--Emily St. John Mandel, author of Station Eleven
"Startlingly poetic . . . Hunter writes with delicacy and precision; her imagery is pearlescent in places. It's a sliver of a novel, but it shimmers."--The Guardian
"Spare, stylish . . . The real strength of this wonderfully earthy novel is in its sharpened lens on motherhood's apocalyptic-feeling joys and terrors, and how they can form an all-encompassing world."--Vogue
"In elegiac lines, Hunter tells a love story through the eyes of a new mother, who witnesses the death of an old life and the start of a new one . . . a perfect portrait of rebirth the final testament that time, and life, do go on, despite our best efforts."--Elle
"The End We Start From is reminiscent of Cormac McCarthy's The Road, in that it shares the same narrative detachment, and the same precise poetry. It is of course told from the perspective of a mother, rather than a father, and is set in a world that is only beginning to fall into chaos . . . Megan Hunter's remarkable debut novel feels like the other half of the story."--Financial Times
Praise for The Harpy
"With shades of Carmen Maria Machado and Karen Russell, Hunter turns in an unforgettable magical realist story of power, revenge, and transformation."--Esquire
"What The Harpy offers is a beautiful, poetic account of [a] marriage, and also an insightful character study . . . It is introspective and the prose is quietly beautiful . . . And when it borders on a dark fairy tale, The Harpy soars."--NPR
"A taut horror story wrapped inside a domestic drama of two people at war with each other. A scarily satisfying read."--Library Journal
"The Harpy asks its readers to consider whether emotional violence can be uncoupled from its physical counterpart, and whether one can justify the other. By blurring the boundaries of the two -- a mild poisoning and revenge pornography occupy the same textual category of harm -- the novel sketches out the unsettling psychological terrain that can lie beneath bourgeois marital composure."--The Guardian