The memoir begins with a conversation between Horton and Ralph Ellison's Invisible Man statue in New York City. Their imagined dialogue examines the psychological impact of racism on Black men and boys, including Horton's separation from his mother, immediately after his birth, in a segregated Alabama hospital. From his current life as a professor and prison reformer, Horton looks back on his experiences as a drug smuggler and trafficker during the 1980s-1990s as well as the many obstacles he faced after his release. He also examines the lasting impact of his drug activity on those around him, reflecting on the allure of economic freedom and the mental escapism that cocaine provided, an allure so strong that both sellers and users were willing to risk prison. Horton shares historical context and vivid details about people caught in the war on drugs who became unsuspecting protagonists in somebody else's melodrama.
Lyrical and gripping, Dead Weight reveals the lifelong effects of one man's incarceration on his psyche, his memories, and his daily experience of American society.
"In Dead Weight, Randall Horton, a 'student of literature, ' learns to not only accept the dramatization of historical realities that constitute his life but to also accept that trauma, intrinsically unforgettable, must be, for him, relived as literature if he is to survive his many deaths." --Tyrone Williams, coauthor of washpark
"Lyrical and brutal, street smart and philosophical, tender and tough, Dead Weight delights, disturbs, redeems, and instructs with kaleidoscopic style." --Timothy Bradford, World Literature Today