The short-sighted adolescent is a poor schoolboy who is in love with literature, and tries to emulate the lives and works of the writers he most admires. He is also fascinated by science and history, and stays up all night reading. At the age of 17 he decides to write a novel to prove to his teachers that he is not as mediocre as his fellow pupils, and is prepared to give up everything in order to do so. The novel is written in a series of notebooks - the 'diary' of the title - but instead of achieving fame as an author, the myopic protagonist fails his exams and has to repeat the school year.
From the perspective of a schoolboy's diary of everyday life in Bucharest in the early 20th century, - his teachers, his classmates' academic and amorous rivalries, his first sexual experiences - we are introduced to the themes of religion, self-knowledge, erotic sensibility, artistic creation and otherness, subjects that would preoccupy Mircea Eliade, one of Romania's most prominent intellectuals, until the end of his life. Diary of a Short-Sighted Adolescent
Nick Lezard's choice, The Guardian
'. . .playful, ludicrous and very good teen journal, in English for the first time'
'Eliade may be describing the life of a student in a Romanian lycée of almost a century ago, but anyone who has ever been at school, full of ideals but also too shy to speak to the opposite sex, or incapable of revising for an exam until the very last minute, will relate to this. As will anyone who has ever committed their private thoughts to paper, as the true record of their soul and a rebuke to posterity.'
"The power of Diary is that, while not being a novel unique to Romania, it can be read as metonymous of it. . . For all its boyish, slapdash sentiments, this is a refined piece of work."
Alexander Clapp, TLS
". . . Istros Books publication of Diary of a Short-Sighted Adolescent, now the eighth of Eliade's novels in English, marks a turn of the tide.. . Moncrieff's translation, which adopts the idiom of the old English grammar school system, lends a vaguely unreal, Harry Potter-like air to the novel, enlivening the intellectual content."
Bryan Rennie, LA Review of Books