One of the finest pieces of comics nonfiction I've read in years.-- "New York Magazine: Vulture"
Fitzgerald uses art to illuminate the human dimensions of [the refugee crisis], a situation often sketched in statistics.-- "The Atlantic"
It's quite an extraordinary book--a thoughtful and deeply empathetic examination of displacement and hope, focusing on the situation of immigrants in Berlin, past and present.-- "The Rumpus"
Fitzgerald's somber, black-inked drawings are a good match to her serious, introspective tone but still leave room for lightness in the form of white space, expressive and smiling faces, and the off-the-page connections made through art.-- "Booklist"
Given the current political climate, this feels like an important book.-- "Book Riot"
Fitzgerald celebrates the cathartic powers of art in her memoir recalling comic workshops she led in Berlin's refugee shelters. This ode to her students isn't just a portrayal of a city in flux or a people displaced--it is a portrait of the power of art.-- "Publishers Weekly"
Beautiful, sensitive, illuminating, and at times quite funny. ... every page is a gem.-- "LA Review of Books"
Warm and occasionally surreal black-and-white drawings profoundly and respectfully humanize people too often rendered as statistics while encouraging contemplation of a more humane future.-- "Library Journal (starred review)"