In spring 2020, Julia Blackburn travelled to the Karoo region of South Africa to see for herself the ancestral lands that had once belonged to an indigenous group called the /Xam.
Throughout the nineteenth century the /Xam were persecuted and denied the right to live in their own territories. In the 1870s, facing cultural extinction, several /Xam individuals agreed to teach their intricate language to a German philologist and his indomitable English sister-in-law. The result was the Bleek-Lloyd Archive: 60,000 notebook pages in which their dreams, memories and beliefs, alongside the traumas of their more recent history, were meticulously recorded word for word. It is an extraordinary document which gives voice to a way of living in the world which we have all but lost. 'All things were once people', the /Xam said.
Blackburn's journey to the Karoo was cut short by the outbreak of the global pandemic, but she had gathered enough from reading the archive, seeing the /Xam lands and from talking to anyone and everyone she met along the way, to be able to write this haunting and powerful book, while living her own precarious lockdown life. Dreaming the Karoo is a spellbinding new masterpiece by one of our greatest and most original non-fiction writers.
'An astounding, disarming book, full of grief and beauty' Olivia Laing
'Blackburn's wise, wonderfully idiosyncratic books are poetic, informed by a...genius for serendipity' Lucy Hughes-Hallett, New Statesman
Travelling to the landscapes of the Karoo, yet remaining tied to a corner of the English countryside, Blackburn explores the ruthlessness of colonial frontiers... Here is a work of astonishing breadth, clarity and power. Again and again, as I read, I gasped at the intense relevance and importance, as well as the beauty of this book.--Hugh Brody, author of THE OTHER SIDE OF EDEN
A miraculous act of retrieval and restitution.--William Atkins, author of EXILES
A fascinating, poetic response to our contemporary age.--Joanna Kavenna, Literary Review
[Blackburn's] wise, wonderfully idiosyncratic books are poetic, informed by a drily downbeat humour and a genius for serendipity... Blackburn doesn't give us answers. Instead she works a miracle. In this book dead people talk in a dead language, describing a culture and way of life which is also dead, and yet, thanks to...Blackburn's tactful, beautifully-framed extrapolations, those dead come before us and speak. --Lucy Hughes-Hallett, New Statesman