There was a boy
named Emile
who fell
in love with a field.
It was wide
and blue--
and if you could have
seen it
so would've you.
Emile loves the field close to his home--in spring, summer, and fall, when it gives him bees and flowers, blossoms and leaves. But not as much in winter, when he has to share his beautiful, changeable field with other children...and their sleds. This relatable and lyrical ode to one boy's love for his neighborhood field celebrates how spending time in nature allows children to dream, to imagine...and even to share.
Chioma Ebinama is a Nigerian American fine artist whose work has exhibited internationally. Her journey as an artist began with children's books; as a kid she learned to draw by copying popular picture book and cartoon characters found in her local library. Emile and the Field is the first picture book that she has illustrated. It's particularly meaningful to her since she's always been enchanted by stories of outdoor adventures but never saw characters that looked like her truly enjoying the outdoors. After traveling all over the world, Chioma currently lives in Athens, Greece, where she enjoys soaking up the sunlight with her little dog, Luna. Follow her on Instagram at @chiomaaaaaa.
The National Center for the Study of Children's Literature. For book reviews, recommendations, & more, visit our Instagram @NCSChildLit!
Click the link below to check out our latest picture book review on EMILE AND THE FIELD by Kevin Young, illustrated by Chioma Ebinama ✨🌿🤸🏿♂️🌼 https://t.co/qKP2jvw4fJ
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#HBBlackHistoryMonth: Last March in #NotesfromtheHornBook, we asked Kevin Young @Deardarkness #5Qs about EMILE AND THE FIELD https://t.co/QBmqhJOoQT #BlackHistoryMonth @MakeMeAWorld @randomhousekids @SevenImp https://t.co/6Kjz9gBD04
"From its exquisite endpapers, awash with wildflowers, and its sublime first words, this book about the profound love between a boy and a field captivates."
"A gentle vision of nature as meaningfully accessible and ample." --Publishers Weekly
"[A] thing of beauty. From its exquisite endpapers, awash with wildflowers, and its sublime first words that evoke lolling in tall blue grasses, it captivates." --The New York Times