Equipping James Bond: Guns, Gadgets, and Technological Enthusiasm
James Bond's amazing gadgets reveal both enthusiasm about technology and fear of its potential ramifications.
The popularity of the 007 franchise depends on a seductive formula of sex, violence, and snobbery. Much of its appeal, too, lies in its gadgets: slick, somewhat improbable technological devices that give everyone's favorite secret agent the edge over his adversaries.
In Equipping James Bond, André Millard chronicles a hundred-year history of espionage technology through the lens of Ian Fleming's infamous character and his ingenious spyware. Beginning with the creation of MI6, the British secret service, Millard traces the development of espionage technology from the advanced weaponry of the nineteenth century to the evolving threat of computer hacking and surveillance. Arguing that the gadgets in the books and films articulate the leading edge of technological awareness at the time, Millard describes how Bond goes from protecting 1950s England from criminal activity to saving a world threatened by nuclear bombs, poison gas, and attacks from space.
As a modern and modernizing hero, Bond has to keep up with the times. His film franchise is committed to equipping both Bond and his adversaries with the latest technological gadgets. Simultaneously, Millard stresses, the villains and threats that Bond faces embody contemporary fears about the downside of technological change. Taking a wide-ranging look at factual (and fictional) technology, Millard views the James Bond universe as evidence for popular perceptions of technological development as both inevitably progressive and apocalyptically threatening.
- Publisher: Johns Hopkins University Press
- Publish Date: Nov 15th, 2018
- Pages: 224
- Language: English
- Dimensions: 9.10in - 6.10in - 0.80in - 0.95lb
- EAN: 9781421426648
- Categories: • History• Espionage• Intelligence & Espionage
About the Author
--John Greenya, Washington Times
--Matthew Chernov, James Bond Radio
--Robert C. Post, author of Who Owns America's Past? The Smithsonian and the Problem of History