"Pye, like a scholarly magpie, picks up his glittering bits from the most up-to-date academic research."--Michael Dirda "The Washington Post"
"Mr. Pye draws on a dizzying array of documentary and archaeological scholarship, which he works together in surprising ways." -- "The Economist" Praise for The Edge of the World "Bristling, wide-ranging and big-themed. At its most meaningful, history involves a good deal of art and storytelling. Pye's book is full of both. A fruitful way of reorienting our thinking about the past. Pye challenges us to consider how we got to be where - and who - we are."-- "The New York Times (A Notable Book)" "Now a museum-like gem, for much of the 16th century, Antwerp thrived as Europe's most vibrant center of commerce, intellectual life, and free thought. Pye offers a colorful depiction of the city's 'exceptional years.' Entertaining. An impressionistic portrait of its institutions and great men (Bruegel, Erasmus, et al.), emphasizing the lives of now-obscure traders, bankers, entrepreneurs, officials, printers, and booksellers, including a surprising number of successful women and Jews. A vivid look at a great Renaissance city."-- "Kirkus"
"A rich, rumbustious, rogue's paradise... Michael Pye is the perfect chronicler of this extraordinary place, since he revels in complexity and never hesitates to use his abundant imagination. His prose is as opulent as the city itself."-- "The Times (London)"
"Pye, best known for The Edge of the World (2014), about the North Sea and modernity, declares for his new slice of history an approach that is out of the ordinary, consequent, he says, on the burning of Antwerp town hall with the city records by those mutineers... The author enliven[s] things with extracts from letters and references from paintings."-- "The Telegraph"
"Exhilarating. Pye captures Antwerp's greatest decades in character studies, stories and vignettes, encompassing not just trade but buildings and books too. It is pieced together with great skill and art, and the effect is dazzling. If you want a sense of the city's anarchic splendor, its potent, unsustainable originality, then this is the book for you. Pye conjures up exactly the glamour that drew people to Antwerp's gates in its pomp: the city as idea; the city as improvisation; the city as possibility."-- "Literary Review"
"Antwerp is the star of this charming and rather lovely history. Pye draws on a rich tapestry of sources - and individuals - to paint his portrait. Some were little known beyond inventories of the goods they left behind. Pye writes beautifully, has a lovely eye for detail and an obvious affection for this period of Antwerp's history."-- "The Guardian"
"Pye communicates this sense of paradise lost profoundly. The result is a book of imaginative historical reconstruction that reads as brilliantly as a novel."-- "The Mail on Sunday"
"Wonderfully lively and fact-rich history. [Pye] makes tangible every aspect of life and death in Antwerp."--Michael Prodger "New Statesman"