The co-op bookstore for avid readers
Book Cover for: Every Tongue Got to Confess: Negro Folk-Tales from the Gulf States, Zora Neale Hurston

Every Tongue Got to Confess: Negro Folk-Tales from the Gulf States

Zora Neale Hurston

A recently discovered collection of folktales celebrating African American oral tradition, community, and faith..."splendidly vivid and true."--New York Times

Every Tongue Got to Confess is an extensive volume of African American folklore that Zora Neale Hurston collected on her travels through the Gulf States in the late 1920s.

The bittersweet and often hilarious taleswhich range from longer narratives about God, the Devil, White Folk, and Mistaken Identity to witty one-linersreveal attitudes about faith, love, family, slavery, race, and community. Together, this collection of nearly 500 folktales weaves a vibrant tapestry that celebrates the African American life in the rural South and represent a major part of Zora Neale Hurstons literary legacy.

Book Details

  • Publisher: Amistad Press
  • Publish Date: Oct 1st, 2002
  • Pages: 320
  • Language: English
  • Edition: undefined - undefined
  • Dimensions: 8.10in - 5.32in - 0.81in - 0.52lb
  • EAN: 9780060934545
  • Categories: Folklore & MythologyCultural & Ethnic Studies - American - African American & BlAmerican - African American & Black

About the Author

Hurston, Zora Neale: -

Zora Neale Hurston wrote four novels (Jonah's Gourd Vine; Their Eyes Were Watching God; Moses, Man of the Mountains; and Seraph on the Suwanee) and was still working on her fifth novel, The Life of Herod the Great, when she died; three books of folklore (Mules and Men and the posthumously published Go Gator and Muddy the Water and Every Tongue Got to Confess); a work of anthropological research (Tell My Horse); an autobiography (Dust Tracks on a Road); an international bestselling ethnographic work (Barracoon); and over fifty short stories, essays, and plays. She was born in Notasulga, Alabama, grew up in Eatonville, Florida, and lived her last years in Fort Pierce, Florida.

More books by Zora Neale Hurston

Book Cover for: The Life of Herod the Great, Zora Neale Hurston
Book Cover for: Their Eyes Were Watching God, Zora Neale Hurston
Book Cover for: Barracoon: The Story of the Last Black Cargo, Zora Neale Hurston
Book Cover for: Tell My Horse: Voodoo and Life in Haiti and Jamaica, Zora Neale Hurston
Book Cover for: Barracoon: Adapted for Young Readers, Zora Neale Hurston
Book Cover for: The Making of Butterflies, Zora Neale Hurston
Book Cover for: Mules and Men, Zora Neale Hurston
Book Cover for: Dust Tracks on a Road: A Memoir, Zora Neale Hurston
Book Cover for: You Don't Know Us Negroes and Other Essays, Zora Neale Hurston
Book Cover for: Moses, Man of the Mountain, Zora Neale Hurston
Book Cover for: Hitting a Straight Lick with a Crooked Stick: Stories from the Harlem Renaissance, Zora Neale Hurston
Book Cover for: The Complete Stories, Zora Neale Hurston
Book Cover for: Magnolia Flower, Zora Neale Hurston
Book Cover for: I Love Myself When I Am Laughing... and Then Again When I Am Looking Mean and Impressive: A Zora Neale Hurston Reader, Zora Neale Hurston
Book Cover for: Color Struck - A Play;Including the Introductory Essay 'A Brief History of the Harlem Renaissance', Zora Neale Hurston
Book Cover for: Jonah's Gourd Vine, Zora Neale Hurston

Praise for this book

"[An] entertaining collection . . . A rich harvest of native storytelling." -- Kirkus Reviews

"What treasures these are--mordantly clever and quintessentially human stories about God and the creation of the black race, the devil, preachers wily and foolish, animals, the battle between the sexes, and slaves who outsmart their masters. Invaluable tales of mischief and wisdom, spirit and hope." -- Booklist

"A real song of the South." -- Elle Magazine

"[A] delightful collection of authentic African American folklore . . . Highly recommended." -- Library Journal

"An extraordinary treasure." -- Boston Globe

"Splendidly vivid and true...A sharp immediacy and a fine supply of down to earth humor. In stories that are variously jokey, angry, bawdy, wildly fanciful or Reader's Digest-style anecdotal, the speakers present a world in which anything is possible and human nature is crystal clear." -- New York Times

"Entertaining and thought provoking." -- Vibe

"Paint[s] a vivid portrait of the turn-of-the-century South." -- Washington Post

"Overwhelmingly good...luminous tales." -- Oregonian

"Quite funny, and profoundly emblematic." -- San Francisco Chronicle

"Unadorned testaments to the suffering and the vibrant, creative humor of her [Hurston's] people." -- Book Magazine

"Stories rich in insight [and] humor." -- Rocky Mountain News

"Fascinating, funny...priceless." -- Cleveland Plain Dealer

"[Every Tongue Got to Confess] is vibrant, evocative, heartwarming and sometimes hilarious...Like no other in its richness and variety." -- Philadelphia Inquirer