
From the internationally acclaimed author of Measuring the World, here is a dazzling tragicomedy about the three sons of a lost father.
Arthur Friedland is a wannabe writer who one day takes his sons to a performance by the Great Lindemann, Master of Hypnosis. Arthur declares himself immune to hypnosis and a disbeliever in magic. But the Great Lindemann knows better, and after he extracts Arthur's deepest secrets and tells him to make them real, Arthur empties the family bank account and vanishes. He goes on to become a world-famous author, a master of the mystical. (F is for fake.) But what of his abandoned boys? The painfully shy Martin grows up to be a priest without a vocation. (F is for faith, and lack of it.) Eric becomes a financier on the brink of ruin (F is for fraud), while Ivan, hoping for glory as a painter, instead becomes a forger. (F is for forgery, too.) During the summer before the global financial crisis, they are thrown together again with cataclysmic results. Wildly funny and heartbreaking, Daniel Kehlmann's novel about truth, family, and the terrible power of fortune is a fictional triumph."Elegant. . . . A subtly yet masterly constructed puzzle cube. . . . With its sly Möbius-strip-like connectedness, [it] doesn't just hint at the possibility of a plan behind the scenes; it enacts that plan in the very telling." --The New York Times Book Review
"A lollapalooza of a family comedy, diabolically intricate in its layering of concurrent narratives and dryly hilarious at every mazelike turn. . . . F is splashed with vivacious, hilarious characters and incidents that, with distance and time, transmogrify into something quite sinister indeed." --San Francisco Chronicle "Kehlmann's strange and endlessly provoking novel . . . [is] not merely clever but suggestive and powerful. . . . But the deepest delights--delights that offer consolation in a faithless or fake world--are to be found in the novel's beautiful and cunning construction, and in its brilliantly self-interrogating form." --The New Yorker "Kehlmann's . . . musings on religion, art and life are intellectually rigorous, and his plotting masterful in the linking of the story's separate narratives with overlaps that, when revealed, surprise and shock. . . . [His] rendering of life's mysteries . . . allows the reader a window to another world." --NPR, All Things Considered