This second revised edition of Forever Yours, Marie-Lou, which played at the 1990 Stratford Festival, is John Van Burek and Bill Glassco's new translation of Michel Tremblay's original French text.
Born in Quebec, William Grant ("Bill") Glassco was a Canadian theatre director, producer and founder of Toronto's Tarragon Theatre. From 1959 to 1964, Glassco taught English at the University of Toronto. He lived in New York City from 1967 to 1969, where he studied acting and directing. Glassco returned to Canada in 1969. He founded the Tarragon Theatre in 1970 with his wife Jane (née Gordon), and stayed there until 1982. Later, he became the artistic director of the CentreStage Theatre Company which merged, in 1988, with the Toronto Free Theatre to become CanStage.
In 1982, he was made an Officer of the Order of Canada.
Born in Toronto, John Van Burek studied at St. Anselm College in the United States, at the University of New Brunswick, and at the University of Toronto. He has been a practising theatre artist for over twenty years, in both French and English, throughout Canada. He has also worked in the fields of opera, film and television.
In 1971, he founded the Théâtre français de Toronto where, over the years, he directed some sixty productions. He stepped down as Artistic Director of the company in 1991. Mr. Van Burek has taught at Ryerson Theatre School, York University and at the National Theatre School of Canada in Montreal. He is also one of Canada's leading translators for theatre, most notably of Michel Tremblay's plays, including Les Belles-Soeurs (Talonbooks). Mr. Van Burek has received several awards and citations for his work, including the Toronto Drama Bench Award for Distinguished Contribution to the Canadian Theatre. In 1992, he was awarded a Canada Council "A" Grant for senior artists.
This prestigious award allowed him to spend a year abroad, studying and working with major theatre artists in Nottingham, London and Paris. In addition, thanks to a special grant form the Minister of External Affairs and the Toronto Arts Council, he was able to undertake a program for the promotion of Canadian plays in both England and France.
"Brilliantly insightful, uncompromising drama."
-- Detroit News
"One of Tremblay's infinitely hot and dense family dramas ..."
-- Globe & Mail
"one of Quebec playwright Michel Tremblay's greatest works, the Long Day's Journey into Night of his oeuvre"
- Globe and Mail
"...its themes - Catholicism, sexuality, domestic abuse, and the legacy of a tragic death - are universal ... Tremblay is produced around the world. His people exist in every society, not just Montreal's Main."
- NOW Toronto