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Gilligan Unbound: Pop Culture in the Age of Globalization
In Gilligan Unbound, distinguished Shakespeare scholar and literary critic, Paul A. Cantor, proves once and for all that popular culture can be every bit as complex, meaningful, and provocative as the most celebrated works of literature-and a lot more fun. Cantor analyzes and interprets a wide variety of classic television programs with the same seriousness, care, and creativity as he would Hamlet or Macbeth to reveal how dramatically America's image of itself has evolved from the 1960s to the present.
Book Details
- Publisher: Rowman & Littlefield Publishers
- Publish Date: Aug 25th, 2003
- Pages: 304
- Language: English
- Edition: undefined - undefined
- Dimensions: 9.01in - 5.94in - 0.99in - 0.97lb
- EAN: 9780742507791
- Categories: • History & Theory - General
About the Author
Paul A. Cantor has taught at Harvard University and currently is professor of English at the University of Virginia. He served on the National Council on the Humanities from 1992 to 1999. He is the author of books and numerous essays on Shakespeare, Romanticism, literary theory, comparative literature, and many other subjects.
Praise for this book
As a student of American popular culture, Paul Cantor is the best. His scholarship is wonderful, learned, generous, and luminous. Cantor sees the serious dimension of ostensibly trivial things-and the trivial in the ostensibly serious-and he gives his readers remarkable access to the American soul. Gilligan Unbound is a grand book, indispensable for anyone who wants to understand contemporary American life and thought.
A provocative book about the changes in pop culture during the last four decades.
What the hell is he talking about?
Brilliant book. Books on television written by academics are always terrible. Gilligan Unbound is the exception that proves the rule. Cantor's book succeeds despite the fact that it is about television. His insights about life today are so intelligent that they sparkle despite being expressed in the context of pop-culture criticism.
Paul A. Cantor is a strange creature: a conservative professor of English at the University of Virginia who specializes in Shakespeare, loves pop culture, and is flat-out funny. . . . What makes Cantor's reflections impressive and credible is that, like a thimbleful of other conservatives such as Thomas Hibbs and John Podhoretz, Cantor absorbs the culture. He understands that it houses the bad and the good.
In this interesting book, Paul Cantor wants to see how globalization has itself become a theme in specific TV programs, and how they express changing attitudes toward the process. Cantor does not hide behind the scholarly jargon and methodoly so many popular culture scholars employ-scholars writing about the interests of the common man in terms the common man can never understand. In short, he takes popular culture seriously, but not too seriously. This book asks for a new respect for our popular culture and its role in our society.
One of the Best Books of 2001-Nonfiction Cantor has accomplished something so rare that it seems phenomenal: he has written a conservative book on pop culture that is smart and felicitous. Cantor has laid out a blueprint for how conservatives should engage the culture in the future.
A refreshing exception to the rule of academicians writing about popular culture.
With the publication of Gilligan Unbound, Mr.Cantor has presented a complex and involved thesis lucidly and entertainingly.
Providing an in-depth analysis of Gilligan's Island, Star Trek, The Simpsons, and The X-Files, the author examines what each series reflected about America in its era. Gilligan Unbound is well-argued.
An amazing work of scholarship that details how these four shows reveal a change in Americans' sense of their place in the world.
Far from being another exercise in exotic pedantry, Paul Cantor's new book is timely, readable, and provocative.
An absolutely fine book, well-researched and well-written, convincing, and entertaining. Readers can take pleasure in the essays and be edified even if they have never watched Gilligan's Island, Star Trek, The Simpsons, and The X-Files. Of course, they will enjoy them even more if they are regular viewers of such shows, and be positively elated if they are 'fans.' I unhesitatingly recommend it.
My introduction to Mass Communication course seeks to cause 400 Freshmen and Sophomores to see with different eyes media with which they think they are very familiar. Paul Cantor's Gilligan Unbound has performed that function spendidly. One need not think Cantor identifies the most important messages in these programs to be persuaded that even the most mindless television contains messages students have never noticed before.
Gilligan Unbound was an ideal vehicle for eliciting class discussion on issues of globalization. It also got my class involved in discussions about television as a major part of our common culture. Cantor's book is an intelligent, well researched, and incredibly engaging look at changes in American attitudes towards the world.
Professor Cantor has taken the Castaways from Gilligan's Island, and he has used them to show how my characters and their way of life would impact the real world. And he has accomplished this in a very fascinating fashion.
Cantor's discourse has an elegant seriousness that is at the same time inherently laid-back and passionately vivacious.
A smart, light-hearted analysis of American TV's attitudes toward globalization. Cantor writes with humor and wit whether discussing Shakespeare references in Star Trek or analyzing the cultural significance of Simpons Kwik-E-Mart owner Apu Nahasapeemapetilon and shows that TV's treasures and trash alike can offer serious commentary on the state of the world.
A brilliant professor turns TV critic, and finds literature, politics, and philosophy in four favorite series from the 1960s to the 1990s. Paul Cantor makes wonderful sense in simple prose of America's slide toward globalization, as seen on TV. An innovative book bursting with wit, a treat for the mind. It may make you believe that watching TV is not a total waste of time.
Cantor provides a fascinating frame for discussions of popular culture.
Gilligan Unbound is a fun read and a deep analysis-altogether an amazing achievement. As a lively and perceptive student of our culture, Cantor can't be beat.
Paul Cantor is a serious theorist who takes popular culture seriously-but with a light touch. What he gives us is a book with genuine insight into the nature of our times, one that shows how examination of the everyday can lead us directly to the deepest questions of human life and philosophy.