"Naffis-Sahely's desert is a space for reckoning. Not many poets have the courage to begin a book with a poem titled 'The Last Communist', in praise of a wounded and much-needed, though endangered species of thinker and doer in these acquisitive times. He reminds us of the work that poetry can do when properly deployed."--Fred D'Aguiar, leading British poet

'André Naffis-Sahely's second collection from Bloodaxe is really fantastic, a collection called High Desert. It's really deeply engaged with history, class, race, nationalism, particularly focused on the American Southwest, where he's spent some time living. He's quite an itinerant poet, who's travelled around, and I think that can often add a different dimension to a poet's writing.' - Ben Wilkinson, speaking on The Seren Poetry Podcast

'As landscapes go, deserts are more interchangeable than most, and Naffis-Sahely's visions of dereliction are eerily arid and universal at once. Identities are layered one on top of another as the poet moves from continent to continent... This is fierce writing too: litanies of the lost, dispatches from desperate outposts and borders... in an inert and supine world, these are impeccably upright poems.' - David Wheatley, The Guardian (best recent poetry round-up)

'It's been a long time since I enjoyed a collection of poetry as much as André Naffis-Sahely's new offering, High Desert. That said, 'enjoy' isn't quite the mot juste, for while there is at times dark humour here, these are unapologetically serious poems about serious subjects. Perhaps it's better to say I was affected and struck by their moral backbone and searing honesty, than merely entertained... these are poems of remarkable moral heft and power, that demand to be given their place in our imaginations.' - Richie McCaffery, Wild Court

'The precision of the writing in André Naffis-Sahely's new collection of poems gives a laser focus to a vision it's tempting to call global... History writing, travel writing, journalism - High Desert braids together strands of all these genres without ceding its status as poetic utterance... Naffis-Sahely joins an international cohort of poets - Marilyn Hacker, Adrianne Kalfopoulou, Lawrence Joseph and Ilya Kaminsky among them - who are courageously facing ruin without succumbing to silence or despair. Their work isn't easy to read. But it is well worth reading.' - Rachel Hadas, Times Literary Supplement

'The second collection from Naffis-Sahely (The Promised Land: Poems from Itinerant Life) celebrates the desert landscapes of the Southwest while highlighting devastating and complex historical moments, among them the Chinese Exclusion Act of 1882 and the Tulsa Race Massacre of 1921. Divided into five sections, the poems establish their concerns and motifs across shifting cities, while blending personal and political history... Naffis-Sahely offers a fresh approach to weaving reportage and confession in this absorbing travelogue.' - Publishers Weekly

'André Naffis-Sahely's compelling and deeply researched second collection begins in California but blossoms into a globally engaged meditation on history, migration, inclusion, and justice. Drawing on found text from diaries to academic manuscripts and traversing across North America, Europe, and Asia, High Desert is at once humble and unafraid.' - Maggie Wong, Poetry Book Society Bulletin, Summer 2022

'The globe-trotting André Naffis-Sahely's High Desert is worth tracking down for its compelling central sequence of found poems resurrecting figures from American history.' - Tristram Fane Saunders, The Telegraph (the 20 best poetry books of 2022)

'I've long admired the topical intelligence of André Naffis-Sahely not only as poetry editor but especially in his recent High Desert for its counter to dominant narratives, its elastic sensibility (that encircles the globe) and firm sense of a politics that shapes poetry's aesthetics.' - Fred D'Aguiar (Poetry Society Books of the Year 2022)

'A brief review cannot do justice to High Desert--either its seriousness and depth or its understated artistry. But perhaps a brief review can signal that this collection is not simply admirably accomplished but important. And perhaps a brief review can signal that this is a collection not simply to be read but a collection to study.' - Tim Hunt, World Literature Today

'I can tell this is a collection honed from a life of hard-traveling and exile; it has a refreshing sense of internationalism, curiosity, and possibility in its open-hearted and revolutionary acts of witness.' - Evan Goldstein, The Adroit Journal, on High Desert