
Winner of the International Dylan Thomas Prize
"THERE IS IN THESE TALES A RECURRENT 'FEELING OF QUEASY ANTICIPATION, ' AS ONE OF MCFARLANE'S CHARACTERS OBSERVES, 'AS IF SOME TERRIBLE THING MIGHT HAPPEN AT ANY MOMENT.' . . . IT'S A MOOD YOU ASSOCIATE WITH FLANNERY O'CONNOR, EVIDENTLY ONE OF MCFARLANE'S INFLUENCES, AS WELL AS PATRICIA HIGHSMITH."--THE NEW YORK TIMES BOOK REVIEW (EDITORS' CHOICE)"McFarlane writes with a deceptively plain hand, and her style gives shape to the unanswered questions of how well we can ever know each other or ourselves...The writing is clever and skillful in spades."--Kirkus Reviews
"Having triumphantly debuted with The Night Guest, which won the inaugural Voss Literary Prize and the Barbara Jefferis Award and was short-listed for a stack of others, McFarlane returns with a collection of short stories. She unsettled us then, and she unsettles us now, offering narratives that explore characters at the emotional borders."--Barbara Hoffert, Library Journal "Her debut novel, The Night Guest, earned McFarlane a reputation as a wise-beyond-years storyteller. [The High Places] reinforces it...It's a joy to dwell in McFarlane's rich new world."--Booklist "McFarlane has a gift for cutting into a story at precisely the right angle. . . . Her writing is skilled; her point of view is unique."--The Times (London) "In her distinct and unusual voice--the disconcerting tone and dry humor are reminiscent of Margaret Atwood or Valerie Martin--McFarlane examines relationships with uncomfortable clarity and insight, observing the subtext of human behavior while acknowledging a mysterious power behind the reality we think we know."--Daily Mail (London) "The High Places is superb. . . . Every one of the thirteen stories is a winner."--The Saturday Paper (Melbourne)