"Black's skill in combining cultural theory with social and personal history . . . is on full display here. . . . [Her writing] is accessible, even gripping, and deserves a wide audience." --Jacqueline Banerjee, Times Literary Supplement
"[Black] overlays her theoretical reflections with delightful anecdotes and revealing details, and she illustrates the important role hotels play in literature and film...an insightful theoretical study that is also a pleasure to read. Summing up: Highly recommended." --J. Rosenblum, Choice
"In Black's account, grand hotels are both paradoxical and transformative. ... Even when they disappear, hotels are ghostly presences in the landscape and the cultural psyche. Hotel London brilliantly celebrates their longevity and power." --Melissa Fegan, Review19
"Black's linguistic mastery makes for a narrative as rich as the sumptuous facilities she describes, where gleaming lobbies and ballrooms converge with the thrill of new inventions." --Faith MacNeil Taylor, City
"The historian will read [Hotel London] with appetite whetted...an innovative and thought-provoking framework for interrogating the hotel life of Victorian London--and many eras and places besides." --Kevin James, Journal of Tourism History
"Black makes an excellent case for adding the grand hotel to the many studies of monumental nineteenth-century spaces. Her book displays an impressive knowledge of hotel lore and paints a vivid picture of the rise of the grand hotel in Victorian London." --Barbara Leckie
"Black's willingness to move across spaces and times makes the book feel like an ideal example of what humanistic work should be right now: it is both deeply historically grounded and up to date, pointing its archival discoveries toward their relevance in our own moment." --Caroline Levine
"Thanks to Black's masterful interdisciplinarity, Hotel London will provide immense inspiration to any reader or researcher looking to unite literary studies with historical materialism." --Keith Wagner, Rocky Mountain Review