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Book Cover for: How Belfast Got the Blues: A Cultural History of Popular Music in the 1960s, Noel McLaughlin

How Belfast Got the Blues: A Cultural History of Popular Music in the 1960s

Noel McLaughlin

Highly original, fascinating cultural and political history told through Belfast's popular music scene in the 1960s in the context of Northern Ireland's sociopolitical milieu. With particular emphasis on Van Morrison, Them, and Ottilie Patterson, also features the Peter Whitehead film of The Rolling Stones. 15 b/w illus. Also now available as an audiobook.

Book Details

  • Publisher: Intellect (UK)
  • Publish Date: Feb 13rd, 2021
  • Pages: 550
  • Language: English
  • Edition: undefined - undefined
  • Dimensions: 9.60in - 6.70in - 1.10in - 1.85lb
  • EAN: 9781789382747
  • Categories: History & Criticism - General

About the Author

McLaughlin, Noel: - Noel McLaughlin is a popular musician historian and a senior lecturer in the Department of Arts at Northumbria University in Newcastle upon Tyne, UK. He is the coauthor of Rock and Popular Music in Ireland: Before and After U2 and has written widely on rock and popular music culture.
Braniff, Joanna: - Joanna Braniff is an independent scholar based in Belfast. She was features editor of the Irish News from 2002 to 2008 and director of political communications in the Northern Ireland Assembly from 2010 to 2015. She now works as a freelance author, journalist, and media consultant specializing in arts and culture.

Praise for this book

'How Belfast Got the Blues provides a meticulous account of Belfast's popular music culture and politics of the 1960s, going beyond the big names and greatest hits of the decade and, crucially, includes some of those disregarded in previous historical accounts. [...] [It] marks an incredibly valuable contribution to both Irish studies and popular music studies that both celebrates and critiques the multifaceted role of Belfast's music scenes and its international impact.'

A fascinating and highly original book that (re-)places Northern Ireland at the heart of key popular-musical, and broader popular-cultural, moments in the 1960s, offering fresh insights and presenting huge amounts of new material.

This is a brilliantly innovative book that pushes back the boundaries of existing knowledge quite substantially. It will remain for many years the definitive study of the subject and a point of reference for further research and controversy.