"Thrilling.... A portrait of one man's confrontation with a country that, murder by murder, as he once put it, 'devastated my universe.'" --The New York Times
Peck weaves these texts together, brilliantly imagining the book that Baldwin never wrote with selected published and unpublished passages, essays, letters, notes, and interviews that are every bit as incisive and pertinent now as they have ever been. Peck's film uses them to jump through time, juxtaposing Baldwin's private words with his public statements, in a blazing examination of the tragic history of race in America.
This edition contains more than 40 black-and-white images from the film.
RAOUL PECK is a filmmaker acclaimed for his historical, political, and artistic work. Haitian-born, he grew up in Congo, France, Germany, and the United States. His body of work includes the films The Man by the Shore (Competition, Cannes 1993); Lumumba (Cannes 2000, HBO); and Sometimes in April (2005, HBO). He is currently chairman of the French national film school, La Fémis, and recently completed his next feature film, The Young Karl Marx (2017).
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Documentary Screening: James Baldwin Book Club: I Am Not Your Negro Wednesday, June 07 6:00pm - 8:30pm West End Library https://t.co/Q1nu8bfqQk
“Would you happen to have a Ben Hur 1860? The third edition, the one with the erratum on page 116.” Don’t follow me on Facebook because I’m not there.
The clip was neglected until it was rediscovered in Raoul Peck’s 2016 documentary “I Am Not Your Negro”. There are few references to its existence prior to 2016. Cavett’s experience with Weiss is told in CAVETT (1974) written by DC’s Yale roommate Christopher Porterfield. https://t.co/Ky7so390hd
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"I Am Not Your Negro by James Baldwin (E-Book)https://t.co/qRpP0v31Z3 Bestseller Nominated for the Academy Award for Best Documentary To compose his stunning documentary filmI Am Not Your Negro, acclaimed filmmaker Raoul Peck mined James Baldwin? published and https://t.co/OBWhfrCvQ3
"A searing and topical indictment of racial prejudice and hatred in America that makes for uneasy viewing and is not easily forgotten. . . . Vividly intelligent." --Hollywood Reporter
"A striking work of storytelling. . . . One of the best movies about the civil rights era ever made. . . . This might be the only movie about race relations that adequately explains--with sympathy--the root causes." --The Guardian
"Thrilling. . . . A portrait of one man's confrontation with a country that, murder by murder, as he once put it, 'devastated my universe.'... One of the best movies you are likely to see this year." --The New York Times