A stirring story of African diaspora, resourcefulness, and intergenerational love by National Book Critics Circle Award finalist and renowned poet Aracelis Girmay, and acclaimed illustrator Diana Ejaita.
One of Maria Popova's Marginalian Favorites of 2024!
A Best Book of 2024, Center for the Study of Multicultural Literature!
An Academy of American Poets Featured Fall Book for Young Readers!
One of PW's "12 Children's Books by Black Authors to Read in 2024!"
A Bookstagang Best of 2024 Picture Book Selection, for Best Illustration!
One day, young Kamau and his grandmother ZuZu wake up to find themselves on the moon. Kamau doesn't remember Back Home, but Grandma ZuZu does, and she misses it terribly.
Together, through cloth scraps and dance, letters and song, Kamau and ZuZu find a way to make a new life for themselves in this strange land: a new life which is not only rooted in the stories, memories, and traditions that ZuZu always carries with her, but which also lovingly reaches out across the vast expanse of space to connect and communicate with the family from which they've been separated.
Acclaimed poet Aracelis Girmay and illustrator Diana Ejaita together weave a powerful story inspired by the African diaspora, in which--despite the shock of being uprooted into this alien world, without being given any choice or explanation, and the sorrow that comes from the unfathomable distance separating them from their beloved community--Kamau and ZuZu find a way to live, as people do.
Aracelis Girmay is a writer, teacher, aunt, and mother. She is the author of three books of poems and is the editor of How to Carry Water: Selected Poems of Lucille Clifton. For her work she has received the Whiting Award, the Isabella Gardner Award, and the GLCA New Writers Award. Her books have also been named finalists for the Connecticut Book Award, the National Book Critics Circle Award, the Hurston/Wright Award, and the Neustadt International Prize for Literature. Most recently, Girmay's poetry and essays have been published in The Paris Review, Granta, Black Renaissance Noire, and PEN America, among other publications. She is on the editorial board of the African Poetry Book Fund, and she lives and reads with her family in Brooklyn, New York.
An Academy of American Poets Featured Fall Book for Young Readers!
One of PW's "12 Children's Books by Black Authors to Read in 2024!"
A Bookstagang Best of 2024 Picture Book Selection, for Best Illustration!
One of Betsy Bird's Caldenotts of 2024!
A Parade Magazine Best New Book Release of the Month!
A Children's Book Council Hot Off the Press Selection, August 2024!
"National Book Critics Circle Award finalist and poet Girmay crafts a cosmic metaphor for the Black diaspora in this picture book illustrated by New Yorker contributor Ejaita. After Kamau and his grandmother ZuZu suddenly wake up on the moon, they must draw on the culture ZuZu lovingly remembers in order to thrive and establish connections with far-flung, much-missed relatives."
-- "Publishers Weekly, 12 Children's Books by Black Authors to Read in 2024"STARRED REVIEW! ★ "Girmay's contemporary folktale uses succinct, direct language to convey the anguish of relocation and celebrate the resilience necessary to survive in a new land. Ejaita's striking illustrations make use of flat, often textured shapes and human figures that are literally black, with fine white lines defining features... Particularly interesting is her depiction of the moon, which begins as a bleak gray landscape and gradually morphs into a colorful terrain. Reflecting on her life, ZuZu says, 'This is not what I would have chosen... But we will have to find a way to live, as people do.' Compelling and heartfelt."
-- "Booklist""If you are going to talk about people displaced from their homes and loved ones, with no recourse of return, how do you do that in a folktale setting? In the case of this book, baby Kamau and his grandmother Mama ZuZu wake up one day to find themselves on the moon... Now, about this point, reading the book you are assuming that it's going to end with the happy resolution of everyone reuniting back on Earth at some point. Nope. I like a picture book where the emotions are not entirely resolved and the solution is not entirely there. And the writing? So incredible... Add in the truly beautiful art of Diana Ejaita... this book is a jaw-dropper."
--Betsy Bird "A Fuse 8 Production (a School Library Journal blog)""[A] diasporic look at honoring legacy while finding 'a way to live, as people do.'"
-- "Publishers Weekly"