Reader Score
84%
84% of readers
recommend this book
Critic Reviews
Great
Based on 3 reviews on
Ordinary, forgotten objects - a grandfather's beekeeping journals, a rusty benzene lighter, an army issued raincoat - become the lenses through which Jergovic investigates the joys and sorrows of a family living through a century of war. The work is ultimately an ode to Yugoslavia - Jergovic sees his country through the devastation of the First World War, the Second, the Cold, then the Bosnian war of the 90s; through its changing street names and borders, shifting seasons, through its social rituals at graveyards, operas, weddings, markets - rendering it all in loving, vivid detail. A portrait of an era.
Russell Scott Valentino is an American author, literary scholar, and translator. He has translated works from Italian, Croatian, and Russian, and his essays, poetry, and translated fiction have appeared in journals such as The Iowa Review, Two Lines, POROI, Circumference, and 91st Meridian. He is the recipient of NEA Literature Fellowships for translation in prose (2002 & 2016) and poetry (2010) and he received a PEN/Heim award in 2016. He currently teaches Slavic and Comparative Literature at Indiana University.
Editor. Translator. Publisher. Author. Scholar. Collaborator. Composer. Partner. And Papa. (Indiana University, AHB, Ba Ren Chi)
@AEAkinwumi Second Georgi Gospodinov's Time Shelter, third Magris's Danube; also Sasa Stanisic's Where You Come From, and, one I translated, Miljenko Jergovic's Kin.
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"Bosnian writer Jergović pulls off an intricate and innovative narrative encompassing biography, history, travelogue, and fiction." — @PublishersWkly, starred review of Miljenko Jergović's KIN, translated by Russell Scott Valentino https://www.publishersweekly.com/9781939810526 https://t.co/RKftk71tRu
"Miljenko Jergovic has lived as a "foreigner" in Zagreb since 1993, where, as narrator, he channels stories of Sarajevo and the ways in which the city has embodied the 20th century's major flash points--religious intolerance, virulent nationalism, and world wars . . . Jergovic devotes the first section to quotidian ancestral history, but even here the scope widens with soaring chapters on the geopolitical changes after WWII . . . dozens of shimmering vignettes build to the hallucinatory novella-length capstone "Sarajevo Dogs" . . . [Jergovic's] astonishing project offers endless rewards."
--Publishers Weekly (starred review)
"A superb English translation . . . Kin is deeply interested in moments that trickle down through the years, and how, even when languages and the names of countries have changed, when wars have completely reshaped the region, these fleeting seconds have stayed rooted in a family's mind."
--Sarah McEachern, Los Angeles Review of Books
"In [an] excellent translation . . . Jergovic mythologizes his family's history in the manner of Thomas Mann . . . Writing about Sarajevo and its geography, Jergovic delivers a nostalgic, angry, and beautiful tribute to his hometown."
--Damjana Mraovic-O'Hare, World Literature Today
"Kin, Miljenko Jergovic's time-travelling, place-hopping epic, is at once a history of family and an ode to Yugoslavia. Spanning the entire 20th century, Kin traces the palimpsestic layers of the region's past from the two World Wars through to the turmoil of the 90s. Taking the dusty objects of his family's past and his own pockmarked memories as the subjects of his enquiry, the book is as much a comment on memory's elusive surface as it is a social history of the region."
--Calvert Journal
" [Jergovic is] a poet, novelist, and journalist of the highest caliber...His concern is for the living and in this collection of stories about Sarajevo and its inhabitants he writes about them with the seriousness, sensitivity, quirky intelligence, and gentle humor of a master of the short story."
-- The New Republic
"Jergovic has the mien of the rare author whose gift is so innate he need only conquer a few demons and steady his hands enough to write it all down."
--San Diego Union Tribune
" From baking to beekeeping, from Satan to citizenship, from the assassination of Archduke Franz Ferdinand to war, famine, and poverty, Jergovic covers the gamut of a hundred year period, a variety of languages, nationalities, religions, historical events and famous and ordinary people . . . Fact or invented, this is a superb family novel."
--The Modern Novel
"Jergovic is neither naïve nor sentimental about the uses of storytelling . . . In a land marked by death and disappearances, storytelling saves the murdered from oblivion . . . In a region scarred by ethnic conflict, of missing persons and forgotten graves, the simple domestic act of remembrance can transform into a more powerful statement against the politics of hatred and annihilation. It is in the everyday that Jergovic hopes to find salvation enough for the entire world."
--Duncan Stuart
"...a multilayered and complex text, which demonstrates why Jergovic is one of the most prominent Croatian authors and one of the most translated European writers."
--World Literature Today on Mama Leone, a winner of Italy's 2003 Premio Grinzane Cavour for Best Book in Translation
"Charting the complexities of the past hundred years as endured by just one family ... Kin illustrates how consequences ripple across the generations and along chains of kinship, whether those ripples [are] formed by actions within the family or imposed upon it by social conditions of the time. . . . Translator Russell Scott Valentino . . . gracefully performed an enormous job."
--Tom Bowden, Book Beat
"Kin is an intimate and painstakingly detailed attempt to comprehend one's own identity . . . Jergovic delivers a nostalgic, irate, touching, and, above everything, beautiful homage to Sarajevo and its geography."
--Damjana Mraovic-O'Hare, Transitions