
Critic Reviews
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Based on 11 reviews on

An incandescent group portrait of the midcentury artists and thinkers whose lives, loves, collaborations, and passions were forged against the wartime destruction and postwar rebirth of Paris.
In this fascinating tour of a celebrated city during one of its most trying, significant, and ultimately triumphant eras, Agnès Poirier unspools the stories of the poets, writers, painters, and philosophers whose lives collided to extraordinary effect between 1940 and 1950. She gives us the human drama behind some of the most celebrated works of the 20th century, from Richard Wright's Native Son, Simone de Beauvoir's The Second Sex, and James Baldwin's Giovanni's Room to Samuel Beckett's Waiting for Godot and Saul Bellow's Augie March, along with the origin stories of now legendary movements, from Existentialism to the Theatre of the Absurd, New Journalism, bebop, and French feminism.
"Carefully combing through an impressive amount of material, Poirier assembles the history of a decade. . . .As Poirier hops across arrondissements, she manages to create the feeling we're peeking into the windows of her subjects, looking at buildings that still stand, at inhabitants long gone." -The New York Times
"Poirier's hugely enjoyable, quick-witted, and richly anecdotal book is magnifique." -The Times (London) "Weighty thought and earthy behaviour are the twin engines behind Agnès Poirier's briskly entertaining ride through France's most mouvementé decade." -The Sunday Times (London) "Left Bank reads as an erudite and deeply satisfying gossip column, in which each story is more incredible than the last." -The New Republic "Poirier does not miss a trick in her lively accounts of the intense discussions and adulterous liaisons that centred on the Café de Flore or the nearby nightclub Le Tabou; but her real achievement is to contextualise these politically and culturally. . . .An entertaining and well-written story" -The Spectator "Agnès Poirier's Left Bank is a remarkably exhilarating read." -Literary Review (UK)