Through theoretically nuanced, lucid, and insightful readings, Gilmore demonstrates the ability of narrative to transform trauma, to speak to a certain truth about the relationship between trauma and identity that goes beyond the exigencies of accuracy and objectivity that pertain to a juridical contact. Any reader interested in the myriad interpenetrations of violence, the law, identity, family, and life writing will find much to admire in this impressive study.

Gilmore offers astute and compelling commentaries in relation to the social and psychic forms within which selected autobiographers told their personal stories in literate and unconventional ways. Informative, thought-provoking chapters comprise this unique and highly recommended contribution to the literary study of the autobiography.

Leigh Gilmore's The Limits of Autobiography is a fine addition to the body of work in trauma studies, and is highly recommended for all working in the mental health disciplines. The book is a rich cornucopia of literary and psychological analyses, theoretical sophistication, and interdisciplinary connectedness; these treasures can only be suggested here.